Padmapriya reveals gobi manchurian 'chicken' trick on set of Mammootty's Karutha Pakshikal
Synopsis
Key Takeaways
Actress Padmapriya has shared a heartfelt and candid account of her experience playing Poongodi in director Kamal's critically acclaimed Malayalam film 'Karutha Pakshikal', marking 18 years since the film's release. In an emotional post on her Instagram page, the actress recalled the depth of preparation, the camaraderie on set, and a delightful behind-the-scenes secret involving a vegetarian workaround for a pivotal scene.
Becoming Poongodi
Padmapriya wrote that she spent time on the streets of Bengaluru — her home at the time — observing women at bus stops and traffic signals to prepare for the role. 'Karutha Pakshikal brought me close to realities around us like no other character,' she wrote. 'Living in dust and dirt for days until Poongodi stopped being a costume and became a person.'
She added that the character's dignity and refusal to be diminished were qualities she consciously borrowed from the real women she observed. 'Her dignity, her refusal to be small, I borrowed all of it from them,' Padmapriya wrote.
The Gobi Manchurian Conspiracy
One of the most talked-about revelations in her post is what she called 'the great biryani conspiracy.' A vegetarian herself, Padmapriya had to eat chicken biryani on camera for a scene. The film's art director reportedly sculpted pieces of gobi manchurian to replicate the look of chicken until the substitution was convincing enough. 'The whole unit was in splits while I ate my biryani undercover like a gobi-star feast,' she wrote.
A Young AD Who Went on to Greatness
Padmapriya also recalled spotting a young assistant director quietly working on the same set — someone she identified as Aashiq Abu, who would go on to become one of Malayalam cinema's most celebrated filmmakers. The detail adds a layer of nostalgia, underscoring how the film served as a launchpad for multiple careers.
Craft, Collaboration, and What the Film Gave Her
The actress credited director Kamal and cinematographer Sukumar for shaping her understanding of cinema. She also praised co-star Malu Nair, describing her as 'fearless' and someone who 'broke our hearts in every frame.' Padmapriya concluded by saying the real prize from the film was not awards but the laughter, the chaos, and the connections forged on set. This comes amid a broader wave of Malayalam cinema nostalgia, as older films from the mid-2000s continue to find new audiences through streaming platforms.