'Baby Do Die Do' review: Huma Qureshi's noir triumph earns 4.5 stars
Synopsis
Key Takeaways
Baby Do Die Do, directed by Nachiket Samant and released on 2 July, is a rain-soaked Bollywood noir that earns its 4.5-star rating by refusing to look, sound, or feel like anything else in recent Hindi cinema. Starring Huma Qureshi, Seema Pahwa, Chunky Pandey, and Sikandar Kher, the film is a rare genre exercise that lands every note it attempts.
The Story at Its Core
At the centre of the film is Baby Karmarkar, a deaf-and-mute hitwoman navigating an overcrowded Mumbai. Her origin is rooted in personal tragedy — the murder of her sister — which sets her on a decades-long hunt for the killer and pulls her into the orbit of the city's real-estate mafia. She carries a gun concealed inside an umbrella and systematically eliminates targets on behalf of her handlers, mostly ordinary men who stand in the wrong way.
The tension escalates the moment she is assigned a target of consequence. Her carefully constructed double life — violent by profession, quietly yearning for normalcy — begins to fracture. A tender love angle, underscored by a memorable track from Mohit Chauhan, gives her something worth protecting. It is precisely that vulnerability which finally closes the loop on her twenty-year search for revenge.
Huma Qureshi Delivers a Career-Best Performance
Huma Qureshi carries the film on her shoulders in what is, without qualification, the role of her career. Stripped of dialogue by the character's condition, she communicates love and lethal intent through her eyes alone — a performance of extraordinary physical and emotional precision. The supporting ensemble, including Chunky Pandey, Sikandar Kher, Seema Pahwa, Rachit Singh, Marudhar Shekhawat, and Arun Kushwaha, each hold their own, lending the story genuine texture and weight.
Craft: Music, Camera, Direction
Composer Arjun Iyer delivers a propulsive, inventive score — each track landing with escalating impact and perfectly calibrated to the film's register of dangerous quirk. Cinematographer Tojo Xavier's work is immediately arresting: moody, textured, and indispensable to the film's singular visual identity. Director Nachiket Samant plays everything bold and expressive, never hedging on the narrative's more audacious choices. Producer Saqib Saleem deserves credit for backing a project this unconventional.
Where It Stands in Bollywood Noir
The particular blend of high-stakes menace and offbeat wit that Baby Do Die Do sustains is a register few Hindi filmmakers have successfully inhabited — Sriram Raghavan being one of the rare exceptions. The film does not merely nod at noir conventions; it inhabits them with confidence and then bends them to its own rhythm. Rains, mood, music, revenge, and love converge into something emphatically not-seen-before in recent Bollywood.