'50 First Dates' was originally a hardcore drama, reveals Drew Barrymore
Synopsis
Key Takeaways
Hollywood star Drew Barrymore has revealed that the beloved 2004 romantic comedy '50 First Dates' began life as a far more emotionally raw project — a 'hardcore drama' with a stripped-back ending that she says she still mourns. The disclosure came during a candid conversation on The Drew Barrymore Show, where Barrymore spoke with actor and writer Brett Goldstein about the film's origins.
The Original Script and Its Title
Barrymore revealed that the film was initially titled 'Fifty First Kisses' before producers decided to change it. 'They changed that because they thought that was too girly,' she explained. 'And kisses may have been a turnoff to males. And we didn't want to do that.' The title was ultimately revised to '50 First Dates', a name Goldstein credited with working precisely because it drew him in as a viewer.
The Ending That Never Made It to Screen
The most striking revelation was the film's original conclusion. In the early script, Barrymore's character Lucy and Adam Sandler's character Henry do not end up together — they break up. 'A long time later, he realised he didn't want to live without her,' Barrymore recounted. 'So he walks into the diner. And he just walks in and he goes, Hi, I'm Henry. And she looks at him. She goes, Hi, I'm Lucy. And that's it.'
Barrymore described the ending as quietly hopeful. 'I will always mourn that ending because I think it still is hopeful without the bow at the end,' she said. 'But I think the film is perfect the way it is.'
Goldstein's Praise and the 'Heart and Humour' Formula
The conversation was sparked by Goldstein, best known for his role in Ted Lasso, telling Barrymore that '50 First Dates' ranks among his favourite films. He praised its central concept — that Lucy is never cured of her memory condition, and Henry must earn her love anew each day — as 'the most romantic idea in the world.' Barrymore noted that Sandler had also appeared on her show recently, underscoring the enduring bond between the film's two leads.
Barrymore drew a parallel between the film's tonal balance and Ted Lasso, saying both works place 'heart and humor at the cornerstone.' The exchange highlighted how the film's final, more optimistic version was a deliberate commercial and creative recalibration from its dramatic roots. Whether the original ending will ever surface remains unknown, but Barrymore's candid reflections have reignited fan curiosity about what might have been.