Rakul Preet Singh on playing Surpanakha in Ramayana 2026
Synopsis
Key Takeaways
Actress Rakul Preet Singh has opened up about her decision to take on the role of Surpanakha in the upcoming mythological epic 'Ramayana: Part 1', set to release on 6 November 2026. The actress, who portrays Ravana's sister in the film, says the character's layered complexity and unexplored backstory were the primary draws.
What drew Rakul to the role
Speaking about her character, Rakul said, “Every few years, you see a different interpretation and presentation of these characters, while keeping the essence rooted in the original text. As an actor, you only look at a character from that lens, that it’s a character that has layers, that has the possibility and ability to shine through the film.”
She noted that Surpanakha was “apparently the most beautiful woman of Lanka” and that, beyond her ego and antagonistic reputation, the character offered rich dramatic territory. “As an actor, it’s fun to explore those layers,” she added.
A side of Surpanakha rarely told
Rakul revealed that the script introduced her to aspects of Surpanakha’s life she had not previously encountered. “There was a lot about her that I didn’t know. When I read the script, there was a lot about her life before and after that incident where her nose is chopped off by Lakshman,” she said.
She added that the narrative around how Surpanakha first encounters Ram was particularly compelling. “What happens in Surpanakha’s life and how does she meet, stumble upon Ram — there’s a lot which I didn’t know, which for me was new when I read the script, and which is why I liked it.”
The ensemble and release
The film features a high-profile cast including Ranbir Kapoor, Sai Pallavi, Ravi Dubey, Yash, and Sunny Deol. 'Ramayana: Part 1' is scheduled to arrive in cinemas on 6 November 2026, positioning itself as one of the most anticipated mythological productions in recent Indian cinema.
The broader significance
Rakul’s portrayal is notable in the context of a growing trend in Indian storytelling — revisiting mythological antagonists with greater psychological depth. Surpanakha has traditionally been reduced to a plot device in mainstream retellings, making this interpretation, if executed well, a potential turning point for how female characters from the Ramayana are depicted on screen. This comes amid renewed audience appetite for large-scale mythological epics following the success of recent productions in the genre.