Sonu Nigam on meeting Jermaine Jackson after Michael's death
Synopsis
Key Takeaways
Veteran Bollywood singer Sonu Nigam has revealed that his encounter with Jermaine Jackson was entirely unplanned — a chance meeting in the United States that took place in the emotional aftermath of Michael Jackson's death. The disclosure came during Nigam's appearance on Komal Nahta's podcast 'Game Changers: The Music Series', where he reflected on a career that has taken him well beyond India's borders.
The Chance Encounter With Jermaine Jackson
'I met Jermaine Jackson by chance in America. It was the time after Michael Jackson had passed away, and I had composed a song on him while crying. Till date, people love that song,' Nigam recalled. He added that the composition eventually led to a live performance alongside Jermaine Jackson himself. 'I got an opportunity to play that song with Jermaine. We sang it at IIFA as well. If you see the video, you'll see people were spellbound,' he said.
A Catalogue of Global Collaborations
The podcast appearance also gave Nigam a platform to revisit other landmark international tie-ups. He disclosed that he had recorded a track for a Britney Spears album and noted that Spears had followed him on Twitter before he chose to leave the platform. He also mentioned a collaboration with Swedish DJ Avicii and a 'very good song' with Polish singer Natalia. 'If I would've lived there, I could get more opportunities, but staying in India, having got these many chances is enough,' Nigam said.
A Career Spanning Three Decades and 32 Languages
Nigam's international work sits atop a formidable domestic body of work. Over a career of roughly three decades, he has recorded more than 6,000 songs in 32 languages. Some of his most enduring tracks include 'Sandese Aate Hain' from Border (1997), 'Kal Ho Naa Ho' (2003), 'Suraj Hua Maddham' from Kabhi Khushi Kabhie Gham (2001), and 'Abhi Mujh Mein Kahin' from Agneepath (2012).
Recognition and Legacy
The Government of India honoured Nigam with the Padma Shri in 2022, one of the country's highest civilian distinctions. His candid podcast conversation underscores a broader point: that Indian artists have long been forging global musical connections, even if those stories rarely surface in mainstream coverage. Nigam's account of the IIFA performance with Jermaine is a reminder of how grief — and music — can cross cultural divides without a formal introduction.