How Do Amjad Khan’s Insights Relate to Today’s Cinema?
Synopsis
Key Takeaways
- Cinema reflects societal realities.
- Disturbing films provoke necessary conversations.
- Halting problematic films won’t fix societal issues.
- Understanding human flaws is crucial.
- Historical context informs contemporary narratives.
Mumbai, Nov 26 (NationPress) As the discussions about the ethics of Hindi cinema grow more fervent, particularly with the scrutiny surrounding films like Kabir Singh and Animal, the late actor Amjad Khan once offered his perspective on cinematic narratives that tackle unsettling themes.
A vintage video of Khan has recently emerged online, where he passionately defends cinema as a reflection of society. He emphasized that films are often inspired by real-life societal issues.
When questioned about the depiction of rape in films and its potential impact on audiences, he remarked, “You shouldn't even glance at newspapers. Visiting social service centers reveals far more harrowing tales than what our cinema presents. Historically, literature reflected the culture and needs of its time, just as contemporary cinema mirrors our current environment. It is not merely the subject or the portrayal; it serves as a reflection of reality. Events like rape cases, the blinding incidents in Bhagalpur, and countless tragedies are what we read about. Are these not acts of terrorism? Such themes often inspire cinematic plots.”
He further stated, “We are not amidst a sick society. The global landscape is experiencing a profound crisis. From nuclear threats to widespread terrorism, the world is grappling with significant challenges. It's not just an issue confined to Indian cinema; it is a worldwide phenomenon.”
Khan asserted that halting the screening of disturbing films wouldn’t resolve the underlying crises. “You cannot diminish human flaws. The first murder, according to the Bible, was Cain's act against Abel. That was the genesis of crime. What films existed back then? Even in ancient times, violence was rampant, yet we cannot attribute these realities to cinema,” he concluded.