Anupria Goenka's Cannes debut: 'My Body, My Choice' message in every stitch

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Anupria Goenka's Cannes debut: 'My Body, My Choice' message in every stitch

Synopsis

Anupria Goenka didn't just walk the Cannes red carpet — she turned it into a statement. Her Indo-Western ajrakh ensemble, built around a deliberate duality of 'prim' versus 'bare', carried the words 'My Body My Choice' and mirrored the world of her Manto-adapted film 'Bombay Stories'. Craft, character, and cause, stitched into one look.

Key Takeaways

Anupria Goenka made her Cannes Film Festival red carpet debut alongside the screening of 'Bombay Stories' at the Marché du Film .
The film adapts Saadat Hasan Manto's short story 'Hatak' , with Anupria playing a sex worker.
Her outfit was an Indo-Western fusion featuring ajrakh embroidery and a sari-inspired silhouette, designed to embody the message 'My Body, My Choice' .
The design used a dual-sided concept — full sleeves on one side, a bare-chest illusion on the other — to highlight how society judges women differently based on appearance.
White symbolised imposed purity; red ajrakh detailing represented societal judgement staining that purity.

Actress Anupria Goenka made her Cannes Film Festival red carpet debut in a statement ensemble that carried far more than aesthetic intent — the outfit was a deliberate, cause-driven declaration rooted in the message 'My Body, My Choice'. Her appearance coincided with the screening of her film 'Bombay Stories' at the Marché du Film (Cannes Film Market) section of the festival.

The Film Behind the Look

'Bombay Stories' is adapted from celebrated Urdu writer Saadat Hasan Manto's short story 'Hatak', in which Anupria portrays a sex worker. Staying true to the film's unflinching examination of how society views women — particularly those on the margins — the actress chose her red carpet moment to extend that conversation onto a global stage.

'Since it's such a big stage, I wanted to utilise it to make a statement which is cause-driven and use this opportunity to say something that I truly believe in. 'My body, my choice'. As a woman, my body is my choice, and we tried portraying that statement through Indian attire,' she said.

The Design and Its Symbolism

The outfit was an Indo-Western fusion featuring intricate ajrakh embroidery paired with a sari-inspired silhouette. Its design was built around a deliberate duality: one side of the blouse featured full sleeves and elegant embroidery — evoking the 'prim and proper' image society projects onto women — while the other side created a bare-chest illusion effect, illustrating how the same woman is perceived entirely differently based on presentation alone.

The reverse of the outfit carried the words 'My Body My Choice' in visible text. The ensemble was predominantly white — symbolising the purity society demands of women — while red ajrakh detailing represented how societal judgement stains that imposed purity.

What Anupria Said About the Message

Elaborating on the concept, Anupria said, 'It highlights that it's the mentality that decides a woman's position, not her attire.' She also reflected on how preparing for the role in 'Bombay Stories' deepened her understanding of the lived realities of sex workers.

'I hoped the message that a woman's body is the woman's choice alone came across through my outfit and more so, through our film. It was a huge opportunity to express that on such a global stage,' she added.

Cannes as a Platform for Advocacy

Anupria's approach reflects a growing trend among Indian actors using the Cannes red carpet not merely as a fashion showcase but as a platform for social commentary. By grounding her look in both her character's world and a broader feminist cause, she drew a direct line between cinematic storytelling and real-world advocacy. The choice of Indian craft — ajrakh, a traditional block-printing technique — further anchored the global statement in a distinctly South Asian cultural identity.

As 'Bombay Stories' continues its run at Cannes, the conversation around the film and the message behind Anupria's outfit is likely to keep building.

Point of View

She used craft — ajrakh, a centuries-old Kutchi tradition — as the vehicle for a feminist argument. The choice also does something subtler: it insists that the conversation about Manto's sex worker characters is not confined to arthouse screenings but belongs on the world's most photographed staircase. Whether the message lands beyond the fashion cycle will depend on how much traction 'Bombay Stories' itself generates post-Cannes.
NationPress
12 Aug 2026

Frequently Asked Questions

What is 'Bombay Stories' and where was it screened at Cannes?
'Bombay Stories' is a film adapted from Urdu writer Saadat Hasan Manto's short story 'Hatak', in which Anupria Goenka plays a sex worker. It was screened at the Marché du Film, the film market section of the Cannes Film Festival.
What was the message behind Anupria Goenka's Cannes red carpet outfit?
The outfit was designed to convey the message 'My Body, My Choice'. It featured a dual-sided construction — one side with full sleeves and embroidery, the other with a bare-chest illusion — to show how society judges women differently based solely on their appearance.
What Indian craft was used in Anupria Goenka's Cannes ensemble?
The outfit featured intricate ajrakh embroidery, a traditional block-printing craft, paired with a sari-inspired silhouette in an Indo-Western fusion design. The predominantly white ensemble used red ajrakh detailing to symbolise societal judgement.
What did Anupria Goenka say about her Cannes look?
She said she wanted to use the global platform to make a cause-driven statement, adding, 'My body, my choice. As a woman, my body is my choice.' She also noted that working on 'Bombay Stories' gave her a deeper understanding of the realities faced by sex workers.
Is this Anupria Goenka's first appearance at the Cannes Film Festival?
Yes, the Cannes 2025 red carpet appearance marked Anupria Goenka's debut at the festival, coinciding with the Marché du Film screening of 'Bombay Stories'.
Nation Press
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