Ayushmann Khurrana on Udta Teer: 'Script and vision matter, not the director's experience'
Synopsis
Key Takeaways
Actor Ayushmann Khurrana is gearing up for the release of his upcoming film Udta Teer, and in a candid conversation, the Mumbai-based star revealed the philosophy that has shaped his eclectic filmography: he never evaluates a filmmaker by how many films they have directed, only by the strength of their story and vision.
Script First, Résumé Never
Ayushmann said: 'For me, the script always comes first. I don't look at whether a filmmaker is directing their first film or their tenth film...I look at whether they have a story and a vision that can excite me. Some of the most memorable experiences of my career have come from collaborating with new voices.'
He added: 'They bring hunger, freshness and the courage to look at familiar subjects differently. I have always believed that when the conviction behind a story is strong, it deserves to be supported.'
A Career Built on Debut Collaborations
Ayushmann's track record bears out that belief. Among his most celebrated films, several were made by first-time or relatively new feature directors. Sharat Katariya's Dum Laga Ke Haisha and Raaj Shaandilyaa's Dream Girl stand out as his strongest commercial collaborations with debut or early-career filmmakers. Other notable works in his portfolio include R. S. Prasanna's Shubh Mangal Saavdhan, Hitesh Kewalya's Shubh Mangal Zyada Saavdhan, and Anubhuti Kashyap's Doctor G.
Now, with Udta Teer, he is extending that ethos to writer-turned-director Akash A. Kaushik, for whom this marks his feature directorial debut.
Inside Udta Teer: Bilal Ahmed's Blurred Identity
In Udta Teer, Ayushmann plays Bilal Ahmed, a Pakistani spy who suffers memory loss and gradually begins to believe he is Indian — a premise that blends espionage thriller with darkly comic and emotional registers. Describing what drew him to the project, the actor said: 'With Udta Teer, what drew me in was not just the genre, but the world Akash had created. It is rare to find a script that can be chaotic, funny, emotional and rooted in a larger idea at the same time. I wanted to surrender to that vision and allow the character to take me somewhere unexpected.'
Why the Collaboration Matters
Ayushmann's consistent willingness to back first-time directors is notable in an industry where A-list stars typically gravitate toward established names. His choices have arguably helped normalise socially rooted, mid-budget commercial cinema — a genre that has found a reliable audience in the 2010s and 2020s. The success of Dream Girl and Dum Laga Ke Haisha, both directed by debutants, suggests the strategy carries commercial logic as well as creative merit.
With Udta Teer set to arrive soon, audiences and critics alike will watch whether Ayushmann's instinct for backing fresh talent produces another breakout.