Jim Sarbh's ‘Next, Please’ Merges Reality with Illusion

Synopsis
Actor Jim Sarbh stars in the short film ‘Next, Please,’ exploring modern relationships in a world shaped by virtual reality. With Shreya Dhanwanthary, the film raises critical questions about love and technology.
Key Takeaways
- Jim Sarbh plays an eccentric bar owner.
- The film highlights the impact of technology on modern relationships.
- It features a unique VR dating experience.
- Shreya Dhanwanthary stars alongside Jim Sarbh.
- It questions the authenticity of digital connections.
Mumbai, Feb 6 (NationPress) Actor Jim Sarbh, recognized for his roles in ‘Neerja’, ‘Padmaavat’, ‘Photograph’, ‘Gangubai Kathiawadi’, ‘Made in Heaven’, and others, is set to appear in the upcoming short film ‘Next, Please’.
This film presents a distinctive perspective on contemporary relationships through the framework of virtual reality. Jim portrays an eccentric bar owner, sharing the screen with Shreya Dhanwanthary. The narrative centers around Arpita, a hardened skeptic who dares to explore love via a VR-enabled dating experience. Selecting a speakeasy bar from Mumbai's prohibition era, she engages in dialogue with Vinay, a man who mirrors her doubts about romance.
However, when she violates the fundamental rule of the experience by removing her VR headset, she is faced with an alarming truth.
The film, brought to life by Royal Stag Barrel Select Shorts and Chaitanya Tamhane, immerses viewers in a realm where technology reshapes romance, blurring the lines between reality and illusion.
Regarding the film, Jim Sarbh remarked, “The concept of love through VR is not only intriguing but also somewhat disconcerting. It reflects how technology is beginning to influence our most personal connections, often obscuring the distinction between what’s genuine and what’s fabricated. The notion of a VR dating bar fascinated me; it combines traditional romance with a new, unpredictable twist. It’s raw, chaotic, and authentic in ways we seldom associate with technology. I am eager for the audience to witness this innovative interpretation of love.”
The film also includes the first original song by Madan Mohan to grace screens in over twenty years. ‘Kadamon Mein Tere Ae Sanam’, sung by Mohammed Rafi, was originally composed in 1960 for an abandoned project.
Shreya Dhanwanthary stated, “Dating is already quite challenging. Observing how rapidly technology is advancing, it feels surreal to recognize that we, as a species, are becoming increasingly unequipped to keep pace with these advancements.”
As Next, Please continues to engage audiences, it provokes deep reflections on vulnerability, connection, and the genuineness of relationships in the age of digital interaction.