Jodie Comer on life without milestones: 'I'm learning to honour myself'
Synopsis
Key Takeaways
Actress Jodie Comer, known for roles in Star Wars: The Rise of Skywalker, Free Guy, The End We Start From, and 28 Years Later, has revealed that she has deliberately avoided mapping out her life with predetermined milestones, instead prioritising self-discovery and personal wellbeing alongside her acting career. Speaking to Harper's Bazaar UK, the Killing Eve star opened up about her unconventional approach to career planning and the journey toward self-care.
On living without a master plan
Comer explained that her lack of structured life goals has shaped her approach to work and personal growth. "I've never really had milestones like, 'I want to be here by this time; this is where I see my life.' Maybe that's detrimental sometimes, because I can be a bit loosey-goosey," she told the magazine. Instead of chasing external benchmarks, she has shifted her focus inward, emphasising the importance of self-awareness and authenticity in an industry often driven by external validation.
The quest for self-knowledge
The Liverpool-born actress described her current life philosophy as a continuous journey of understanding herself. "Everything now is about being on a quest to know who I am, to be able to take care of myself and listen to myself and honour myself," Comer said. She highlighted how society conditions people to seek outside opinions and validation, when often the answers lie within. "I think we are always seeking exterior opinion, validation and advice, but a lot of the time, we know innately what we need, what we desire, so it is a case of just reconnecting with that."
Balancing career and self-care
Despite her deep commitment to her craft, Comer stressed the necessity of investing equal energy in her own wellbeing. "I love my job and I'm very grateful for it, but it's important to give just as much energy to myself," she remarked. This rebalancing reflects a broader shift in how she views her responsibilities—no longer subordinating personal needs to professional demands.
Overcoming imposter syndrome
Coming from a working-class background without formal drama training, Comer has grappled with self-doubt throughout her career. "Part of me has always felt like a bit of a fraud for that. I had an insecurity about not being classically trained," she admitted. She noted discomfort when discussions turn to canonical theatrical works, acknowledging that admitting unfamiliarity feels risky in elite circles. However, this perceived gap has not diminished her ability to connect emotionally with characters—a strength she has cultivated since childhood.
Drawing on emotional depth
Comer recalled how her drama teacher once cautioned her about channelling emotion too early in her craft. "My emotions were very accessible to me at such a young age. I remember my drama teacher saying, 'What you have is amazing, but you can't be crying before you've even started.' All this stuff was inside me and I didn't quite know what to do with it," she shared. This early emotional openness has become her artistic signature, driving her choice of roles that demand psychological exploration. "That type of material invigorates me. The work in which I am having to explore an emotion very deeply, or inhabit an experience so far from my own, or leave an experience feeling spent, like I've explored something I couldn't really explain, is what propels me," she explained.