Can Rajiv Rai Ever Replicate the 90s Era?

Synopsis
Key Takeaways
- Rajiv Rai reflects on the impossibility of replicating the 1990s cinematic era.
- 'Zora' is his latest film that focuses on a murder mystery.
- Rai aims to merge nostalgia with contemporary storytelling.
- The film industry has evolved, with better roles for actresses.
- Rai respects and admires many modern actors and their contributions.
Mumbai, Aug 7 (NationPress) Filmmaker Rajiv Rai, known for his work in 'Tridev', shared insights on the challenges he faces in trying to recreate the magic of the 1990s. In a candid conversation with IANS, Rai expressed that despite his efforts to adapt to the evolving cinematic landscape, the audience, the narratives, and the overall vibe of Bollywood have transformed significantly.
Nonetheless, he acknowledged a lingering sense of nostalgia for classic cinema among film enthusiasts.
"With Zora, I aimed to strike a balance—honoring the past while crafting something pertinent for today," he mentioned.
When queried about contemporary films or actors he admires, Rai noted his appreciation for a range of modern talents.
He highlighted names such as Kartik Aaryan, Ranbir Kapoor, Ranveer Singh, Siddharth Malhotra, Rajkummar Rao, Vikrant Massey, and Nawazuddin Siddiqui. Among the newcomers, he praised Ahaan Pandey's commendable work.
Rai also pointed out the significant improvements in the roles available for actresses today—more meaningful and less focused on mere presence in songs.
Next in line, Rai's gripping murder mystery 'Zora' is set to premiere this Friday.
Discussing his upcoming drama, Rai revealed, "The film revolves around uncovering the identity of the killer—it challenges the viewer’s intellect. It’s not your typical entertainer laden with songs and light-hearted comedy. This narrative is intense and thought-provoking."
"I aimed for the audience to engage fully, without distraction from popcorn or phones. It’s a captivating film with a concise runtime, designed so viewers wouldn’t even notice the passage of two hours," the filmmaker added.
Highlighting the distinctions of 'Zora' from his earlier works, Rai mentioned that the film takes an experimental approach while maintaining commercial viability.
"I’d even classify it as a ‘masala’ film in essence, yet devoid of the usual songs and visual spectacles," he concluded.