Suneeta Rao's 1991 hit 'Pakke Irade' strikes chord with Gen Z protesters
Synopsis
Key Takeaways
Singer Suneeta Rao has publicly declared solidarity with the ongoing Gen Z protests in India, invoking her 1991 track 'Pakke Irade' from the album 'Dhuan' as a timeless rallying cry that, she says, mirrors the sentiments of today's youth. The veteran pop artist shared her support on Instagram on 14 October 2026, calling out what she described as the alleged suppression of dissent and the brutalisation of children.
What Suneeta Rao Said
In a strongly worded post accompanied by images from the protests, Rao quoted the song's defining lyric: 'Pathar ke hain vaade pakke irade toote na!' — a phrase she argued remains as relevant today as it did over three decades ago. She wrote: 'PAKKE IRADE! This song released on my album DHUAN in 1991 echoes the sentiments of the youth today. With everything that's happening in the country — dissent being disallowed instead of being heard and protected — voices being stifled — children being brutalised — listen to the lyrics of this song released so long ago which are so relevant even today.'
She added: 'Enough is enough. Shame on the powers that be and more power to our spirited and determined youth. I am with you!' The post tagged @kayaraoshetty and carried the hashtag #genzprotest.
The Song and Album Behind the Message
Released in 1991 under the Gramophone Company India label, 'Dhuan' was a landmark Hindi pop album featuring music by Lesle Lewis. It sold over 75,000 copies, an impressive figure for the era. The album's lead track 'Paree Hoon Main' — whose music video became a cultural moment — earned Rao the popular sobriquet the 'Paree of the Masses'. 'Pakke Irade', on the same album, is now finding renewed attention amid the protests.
Notably, Rao had begun her career with 'Suneeta Senorita' in 1989 and went on to collaborate with A. R. Rahman on 'Adi Paru Mangatha' for the 1994 Tamil film May Madham, cementing her place across Hindi and Tamil pop.
A Career That Keeps Connecting
Beyond 'Dhuan', Rao's subsequent releases — including the folk-inflected tracks 'Dehka Dehka' and 'Kesariya' — returned her to the top of the charts. She also contributed 'Chhoti Chhoti Baatein' and featured in the group track 'Wajah Muskurane Ki' as part of the Magnasound compilation 'A Reason To Smile', released to mark 50 years of Indian Independence.
Wider Context: Artists and the Gen Z Protests
Rao's intervention is part of a broader pattern of Indian artists and cultural figures aligning with the ongoing youth-led demonstrations. Critics argue that the protests reflect deep-seated frustrations among younger Indians over governance, civil liberties, and institutional accountability. The use of a three-decade-old song as a protest anthem also highlights how vintage pop can acquire new political resonance in moments of social upheaval.
With the Gen Z protest movement showing little sign of abating, more voices from India's cultural establishment are likely to weigh in — and how the government responds to such public solidarity will be closely watched.