Has Vidhu Vinod Chopra Criticized Social Media Influencers?
Synopsis
Key Takeaways
- Critique of social media influencers and their effect on cinema.
- Chopra's call for authentic storytelling over digital fame.
- Insights from the 8K restoration of his classic film.
- Over 240 films showcased at the 56th IFFI.
- Discussion on the future of cinema in the context of social media.
Mumbai, Nov 23 (NationPress) Filmmaker and producer Vidhu Vinod Chopra launched a strong critique against social media influencers and the entire ecosystem of social media fame, highlighting the involvement of brands in this phenomenon.
During the 56th edition of the International Film Festival of India (IFFI) held in Goa, Chopra expressed his concerns about the escalating culture of social media celebrity, which he believes has negatively impacted the film industry.
He stated, “What term should I use? These are a*. They appear online, posing in specific ways. One has 5 million followers, another has 10 million, and yet another boasts 20 million.”
Chopra continued, “The social media influencer believes they are a legend. Brands approach them, saying, ‘Please market our product’. The influencer poses again, saying, ‘Hey, purchase this tiffin. Buy whatever’. What the f* is happening? You must decide whether you want to be that or genuinely pursue happiness and joy.”
At the IFFI, Chopra also conducted a masterclass on filmmaking, discussing the 8K restoration of his classic film 1942: A Love Story and sharing a behind-the-scenes story about his then-assistant Sanjay Leela Bhansali, who scattered breadcrumbs on a mountain to attract birds for a song sequence.
He emphasized that contemporary cinema often values style over substance and noted that his films portray the social realities of their respective eras.
The ongoing 56th International Film Festival of India (IFFI) in Goa is a vibrant gathering of cinematic art, culture, and technology, showcasing over 240 films from 81 countries, including 13 world premieres along with international and Asian debuts. The festival commenced with a grand parade along the Mandovi river, marking a departure from tradition.