CM Majhi mourns death of Pala maestro Pandit Jagannath Behera
Synopsis
Key Takeaways
Odisha has lost one of the last great custodians of its oldest narrative folk tradition. Odisha Chief Minister Mohan Charan Majhi expressed deep grief on Monday, 3 August 2026, over the passing of Pandit Jagannath Behera, a veteran Pala singer and recipient of the prestigious Sangeet Natak Akademi Award, calling his death 'an irreplaceable loss for Odisha's cultural world.'
The voice that kept Pala alive
Writing in Odia, CM Majhi said he was 'extremely saddened' on hearing the news of Behera's passing. He paid tribute to the artist's 'unparalleled contribution' to the preservation, promotion, and propagation of Pala — Odisha's traditional narrative folk form that weaves together devotional song, verse dialogue, and percussion, drawing largely on Puranic themes. 'His dedicated artistic practice and scholarship has enriched our cultural world,' Majhi wrote, offering condolences to the bereaved family and praying to Lord Jagannath for the eternal peace of Behera's soul.
What the Sangeet Natak Akademi honour meant
The Sangeet Natak Akademi, India's apex national institution for music, dance, and drama — established in 1952 — confers its award on artists whose careers represent a lifetime of contribution to the performing arts. For a Pala exponent to receive it is a rare national acknowledgement of a form that has historically been passed down orally through village performance circuits rather than institutional channels. Behera's recognition placed Pala on the same stage as classical traditions that command far greater institutional patronage.
Pala's precarious place in Odisha's cultural fabric
Pala is among Odisha's most ancient living folk forms, yet it faces the familiar pressures of an oral tradition in a media-saturated era: shrinking audiences, fewer young practitioners, and limited documentation. Senior exponents like Behera served not just as performers but as living archives — repositories of lyrical vocabulary, melodic structures, and narrative conventions that cannot easily be recovered once lost. His death narrows that circle further. Odisha governments have periodically recognised Pala exponents through state and national awards, but the broader challenge of sustaining the tradition in performance — not merely in archives — remains open.