Divyanka Tripathi Offers a Sneak Peek into Family Moments in Bhopal
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Synopsis
Divyanka Tripathi shares cherished moments from her family visit in Bhopal, showcasing her traditional attire and capturing joyful memories with loved ones. In a recent podcast, she discusses the challenges of maintaining a social media presence.
Key Takeaways
- Divyanka Tripathi shares family moments in Bhopal.
- She wore a beautiful chikankari salwar kameez.
- A family selfie was taken by husband Vivek Dahiya.
- Discussed social media challenges on a podcast.
- Recall of her busy work schedule over the years.
Mumbai, April 26 (NationPress) Celebrated television star Divyanka Tripathi provided a sneak peek into her family moments while visiting her hometown Bhopal.
The 'Yeh Hai Mohabbatein' star showcased a series of beautiful images on her Instagram, where she donned a lovely blue chikankari salwar kameez. Her ensemble was elegantly accessorized with a silver necklace and matching jhumkas, complemented by soft makeup and flowing, wavy hair.
The collection also featured a joyful family selfie, captured by her husband, actor Vivek Dahiya, encompassing their entire family.
Additionally, she shared a brief video of her family cheerfully waving at the camera.
In her post, Divyanka expressed her sentiment by writing, “Family scenes... The foundations of nostalgia!”
Recently, Divyanka and Vivek were guests on Bharti Singh and Harssh Limbachiyaa’s podcast, where they discussed their limited presence on social media.
In response to this, Divyanka mentioned, “We’re really into our own world. When it comes to Instagram and other social media, we feel like we have to put in extra effort. We do recognize the love we receive and want to give back, yet it requires considerable effort. Sometimes we think, ‘Let’s make a reel and post it,’ as we also feel a sense of responsibility.”
She elaborated that she has found a sense of calm, believing she has already invested significant energy over the years.
Reflecting on her past, Divyanka recounted, “You know how I used to work—after shooting for 10 to 12 hours, I’d pick up a catalogue and head to Surat for an appearance. I’d travel at night, make an appearance, return in the morning, and go straight to shoot again, sleeping in the car in between. I lived like that for six years.”
