Javed Akhtar on why science and liberal arts must go hand in hand
Synopsis
Key Takeaways
Veteran screenwriter, lyricist and poet Javed Akhtar has called for a deeper integration of science and technology with the liberal arts, arguing that subjects such as history, literature, poetry, and painting are essential to what makes a person fully human — and not merely a sophisticated machine.
The Core Argument
Speaking to reporters, Akhtar drew a sharp distinction between technical knowledge and humanistic understanding. 'Science and technology are a very important thing. But it is also important to have some awareness from the liberal arts. This is the difference between a human being and a computer or a robot,' he said.
He warned against what he called 'watertight compartments' — the tendency of professionals to confine themselves exclusively to their own domains. In his view, this intellectual siloing limits both personal growth and the broader contribution an individual can make to society.
A Two-Way Street
Akhtar's appeal was notably bilateral. He urged those working in the sciences to acquaint themselves with history, literature, poetry, painting, and folk arts. Equally, he said, those in the humanities and liberal arts should cultivate a foundational grasp of science and technology.
'Similarly, people in science should also have a certain information about liberal arts. History, literature, poetry, painting, folk arts. These watertight compartments are not right,' Akhtar said. The emphasis on folk arts is particularly notable — a reminder that cultural knowledge extends well beyond canonical texts and formal disciplines.
Who Is Javed Akhtar
Akhtar's perspective carries the weight of a career that has itself straddled multiple disciplines. He first rose to national prominence as one half of the celebrated screenwriting duo Salim–Javed, alongside Salim Khan. Together they wrote landmark Hindi films including Zanjeer (1973), Deewaar (1975), Sholay (1975), and Mr. India (1987), reshaping the grammar of Bollywood storytelling for a generation.
He subsequently reinvented himself as a lyricist of the first order, writing songs for films such as Silsila, 1942: A Love Story, Border, Refugee, and Lagaan. Beyond cinema, he is a recognised Urdu poet — his collection Tarkash is among the most acclaimed in contemporary Urdu verse.
Accolades and Standing
His cross-disciplinary achievements have been formally recognised at the highest levels. Akhtar has received five National Film Awards, the Padma Shri in 1999, and the Padma Bhushan in 2007. Few figures in Indian public life have navigated the worlds of popular cinema, literary poetry, and intellectual commentary with comparable ease — which is precisely why his call for bridging the arts-science divide resonates beyond the classroom.
Why It Matters Now
Akhtar's remarks arrive at a moment when India's education policy debate is actively grappling with similar questions. The National Education Policy (NEP) 2020 had already advocated for multidisciplinary learning at undergraduate level, yet implementation remains uneven across institutions. Critics of hyper-specialisation in STEM argue that graduates lacking cultural and historical grounding are ill-equipped for roles requiring empathy, ethical reasoning, and communication — skills that artificial intelligence and automation are unlikely to replicate in the near term.