How is Krystle D’Souza Observing the Transition from Traditional to Modern TV Themes?
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Synopsis
In a recent interview, Krystle D’Souza discusses the significant transformation in television storytelling, moving away from melodrama to embracing diverse contemporary themes. This evolution reflects changing audience preferences and enriches the entertainment industry. Discover her insights on character growth and the balance between traditional TV and modern platforms.
Key Takeaways
- Television storytelling has evolved from melodrama to contemporary themes.
- Krystle D’Souza emphasizes the importance of catering to diverse audiences.
- OTT platforms serve more urban viewers, enhancing content variety.
- Character development in shows allows for deeper emotional exploration.
- New challenges in acting can lead to significant growth.
Mumbai, Nov 16 (NationPress) Actress Krystle D’Souza has expressed her views on the changing dynamics of television storytelling.
She noted a significant shift from the traditional era of melodramatic serials to a vibrant array of contemporary themes that reflect today's diverse audience preferences. In an exclusive interview with IANS, she emphasized that this balance enriches the entertainment industry and makes it more dynamic.
Discussing the evolution of storytelling on television, the ‘Ek Hazaaron Mein Meri Behna Hai’ star remarked that while earlier TV focused primarily on melodrama, it now encompasses a multitude of themes that resonate with the evolving tastes of viewers.
“I believe television effectively serves the masses — we deliver what they enjoy. In contrast, OTT platforms and films cater more to urban audiences, which creates a beautiful diversity in today’s entertainment landscape,” she stated.
Krystle D’Souza is renowned for her performances in shows like “Ek Hazaaron Mein Meri Behna Hai,” “Brahmarakshas,” and “Belan Wali Bahu.” She has also ventured into the web space with “Fittrat.” Her Bollywood entry was marked by the film “Chehre,” featuring stars such as Amitabh Bachchan, Emraan Hashmi, and Rhea Chakraborty. This mystery thriller, directed by Rumi Jaffery, hit theaters in 2021.
Recently, she starred in “First Copy Season 2” alongside Munawar Faruqui, which premiered on Amazon MX Player on November 5.
Reflecting on her character's growth this season and its challenges, Krystle shared how her role pushed her both emotionally and creatively.
“In Season One, Mona was just at the introduction stage. However, in Season Two, there is much more depth to her character. She is more emotional, offering me a chance to delve deeper as an actor. The challenge for me was to slow down. Thanks to Farhan Sir, who advised me to, ‘Whatever you say, say it half as fast.’ My character this time is calm, composed, and strong. I’ve never portrayed someone like this before, making it a remarkable learning journey,” she concluded.
Point of View
I find Krystle D’Souza’s observations on the changing TV landscape quite insightful. The move from traditional melodrama to contemporary storytelling not only reflects audience preferences but also signifies a broader evolution in the entertainment industry. This shift is crucial for engaging diverse viewer demographics and enhancing the overall richness of the content available.
NationPress
16/11/2025
Frequently Asked Questions
What did Krystle D’Souza say about the evolution of TV storytelling?
Krystle highlighted the shift from melodrama to diverse contemporary themes, reflecting audience tastes.
What shows is Krystle D’Souza known for?
She is known for shows like 'Ek Hazaaron Mein Meri Behna Hai', 'Brahmarakshas', and 'Belan Wali Bahu'.
What is the significance of OTT platforms according to Krystle?
Krystle noted that OTT platforms target more metro audiences, creating a balance in content delivery.
How has Krystle's character evolved in 'First Copy Season 2'?
Her character, Mona, has gained emotional depth, offering her more to explore as an actor.
What was Krystle's challenge while portraying her character?
The challenge was to portray a calm and composed character, which required her to adjust her pacing.
