Madhoo on raising daughters: 'No secrets in our family'
Synopsis
Key Takeaways
Veteran actress Madhoo has opened up about the deeply candid relationship she shares with her two daughters, Amaya and Keia, saying that radical openness — even through conflict — is the cornerstone of her family life. The Roja star, speaking in an exclusive interview, credited her husband, businessman Anand Shah, for instilling this culture of honesty at home.
What Madhoo Said About Her Family Bond
'I am very connected with my children. My children and my family are the most important thing, and we talk about everything. There are no secrets in our family. We talk, however bad, however angry we make each other, we piss off each other, but we are open with each other and that's something I have learned from my husband. My daughters are my jaan,' Madhoo said.
The actress was candid that the bond is not without its friction — family members do get on each other's nerves — but that honesty remains non-negotiable. She attributed this parenting philosophy directly to her husband's influence rather than any formal approach to child-rearing.
The Role That Led to Her Marriage
Madhoo also revealed a charming personal detail: her role in the 1995 film Diljale is what first caught Anand Shah's attention. According to the actress, Shah watched the film in Singapore and was immediately drawn to her performance.
'That's a role that won me my husband. My husband saw this film in Singapore, I believe, and he felt, 'Who is this girl. She is amazing'. The next thing I know, I am married to this man,' she recalled.
The couple wed on 19 February 1999 and have been together since. Notably, Anand Shah is the cousin of businessman Jay Mehta, who is married to Bollywood actress Juhi Chawla.
Madhoo's Career Highlights
Madhoo made her Bollywood debut with Phool Aur Kaante in 1991, appearing opposite Ajay Devgn. The film was a commercial success and established her as a leading face of early 1990s Hindi cinema. She went on to appear in a string of hits — Roja (1992), Allari Priyudu (1992), Yoddha (1992), and Gentleman (1993) — cementing her place across both Bollywood and South Indian film industries.
Her candid reflections on motherhood and marriage offer a rare personal glimpse into the life of an actress who largely stepped back from the spotlight after her peak years — and who appears to have built a full life beyond the screen.