Vikrant Massey's son carries Mumbai auto-rickshaw obsession to Norway
Synopsis
Key Takeaways
Actor Vikrant Massey is currently on a family holiday in Norway with wife Sheetal Thakur and their son Vardaan, but the little one has made sure a piece of Mumbai travels with him. Massey shared a heartwarming picture on social media showing Vardaan engrossed in his toy auto-rickshaw while on a train ride — a small but telling detail that has charmed fans online.
The Post That Caught Everyone's Attention
Massey captioned the image simply: 'His obsession with auto-rickshaws.' He paired the post with the iconic song 'I Love My India' from the 1997 film Pardes — a choice that added a layer of playful patriotism to an otherwise candid family moment. The combination of a toy rickshaw, a Norwegian train, and a Bollywood classic struck a chord with followers.
Vardaan: The Boy Who Brought Good Fortune
Massey and Sheetal Thakur welcomed Vardaan in February 2024, and the actor has spoken warmly about fatherhood on multiple occasions. Crediting his son for a shift in his personal fortunes — which coincided with his National Award win for 12th Fail — Massey has said he firmly believes every child arrives with their own destiny.
'I completely believe in it. Because in our family, it is said that every child brings his fate. And I also believe in that. A lot of things have changed since he came. And I couldn't have asked for anything more. I am really, really grateful,' Massey said in an earlier interview.
Career Momentum Behind the Holiday
The Norway trip comes on the back of a strong professional run for Massey. His last release, Musafir Cafe, earned him considerable critical praise, adding to the goodwill generated by 12th Fail — one of the most celebrated Hindi films of recent years. The National Award win cemented his standing as one of Bollywood's more versatile character-driven actors.
Why This Moment Resonates
The image of a toddler clutching a toy auto-rickshaw on a European train is the kind of detail that travels well on social media — specific, visual, and unexpectedly sentimental. It also reflects a broader cultural truth: for many Mumbai families, the auto-rickshaw is less a vehicle and more a childhood landmark. That Vardaan has carried that fixation to Norway gives the moment its warmth.