Why Does Mithoon Pause Songs Instead of Scrapping Them?

Synopsis
Key Takeaways
- Mithoon pauses songs rather than scrapping them for various reasons.
- He emphasizes the importance of melody in music.
- His career began with iconic recreations.
- Mithoon's recent releases continue his exploration of minimalist storytelling.
- He has composed for numerous films, showcasing his versatility.
New Delhi, July 23 (NationPress) Music composer Mithoon revealed that he doesn’t discard songs but tends to pause their progress for reasons that extend beyond mere personal dissatisfaction.
When questioned about whether he has ever completely abandoned a song after it was fully produced due to a lack of authenticity, Mithoon explained to IANS: “I wouldn’t call it scrapping, but sometimes ideas and songs are placed on hold for various reasons that go beyond just my personal dissatisfaction.”
Mithoon kickstarted his career with two popular recreations: ‘Woh Lamhe’ from Zeher and ‘Aadat’ from Kalyug. He composed the score for Anwar, which was released in 2007, and his tracks Tose Naina Lage and Maula Mere continue to enjoy immense popularity.
He has also contributed as a guest composer for songs in several non-film albums, including ‘Kuch Is Tarah’ from Atif Aslam's album Doorie, as well as tracks for Abhijeet Sawant and ‘Ek Shaqs’.
Mithoon composed two songs, ‘Aye Khuda’ and ‘Phir Mohabbat’, for the movie Murder 2, which also marked the debut of Arijit Singh.
His impressive portfolio includes solo or guest compositions for films such as Jism 2, Yaariyan, Ek Villain, Sanam Re, Ki & Ka, Shivaay, Half Girlfriend, Baaghi 2, Kabir Singh, Khuda Haafiz, Radhe Shyam, and Gadar 2, among others.
When asked if he believes melody has diminished in today’s film music, Mithoon, who recently composed the song ‘Dhun’ for the latest release ‘Saiyaara’, stated: “I’ve mentioned this before... that creating and enjoying music is an ongoing journey. The essence of every song is melody.”
“Who connects with that melody is subjective and depends on individual taste, but without a fundamental melody, no song can exist,” he added.
Recently, he launched a new track titled ‘Chandaniya’. This piece, composed by Mithoon, features vocals by Vishal Mishra, with lyrics penned by Sayeed Quadri. It is part of the composer’s album ‘Master of Melody’.
Following the tremendous success of ‘Saiyaara’, ‘Chandaniya’ is the second song from Mithoon’s album and continues his exploration of emotionally resonant, minimalist storytelling through music.