What Does Pooja Bhatt Think About Singleness?
Synopsis
Key Takeaways
- Singleness is a valuable phase for personal growth.
- Pooja Bhatt views singlehood as a sacred assignment.
- Her upcoming projects reflect a rich cultural narrative.
- Embracing singlehood can lead to self-discovery.
- Pooja's career spans over three decades, showcasing her versatility.
Mumbai, Nov 20 (NationPress) Actress and filmmaker Pooja Bhatt has expressed her views on the concept of singlehood, emphasizing that it should be perceived as a valuable assignment rather than a negative experience.
Pooja shared a captivating image of herself on Instagram, where shadows from curtains and sunlight play across her face.
In her insightful caption, she stated: “Singleness is not a curse. It is a sacred assignment.”
Pooja made her acting debut in 1989 with the television film Daddy. Her prominent breakthrough was in the romantic comedy Dil Hai Ke Manta Nahin, which became her highest-grossing film.
Throughout the 1990s, Pooja, daughter of Mahesh Bhatt and half-sister of actress Alia Bhatt, received critical acclaim for her roles in films including Sadak, Junoon, Naraaz, Angrakshak, Chaahat, Tamanna, Border, Angaaray, and Zakhm. Afterward, she took a break from acting.
Her recent project is Big Girls Don't Cry, an English-language coming-of-age drama series set to premiere in 2024.
Created by Nitya Mehra and produced by Sudhanshu Saria, the series features an ensemble cast including Mukul Chadda, Raima Sen, Zoya Hussain, Avantika, Tenzin Lhakyila, Aneet Padda, Dalai, Vidushi, and Afrah Sayed.
Pooja also participated in the second OTT season of Bigg Boss, with the grand finale occurring on August 14, 2023, where Elvish Yadav made history as the first wildcard contestant to win, while Abhishek Malhan was the runner-up.
Looking ahead, Pooja is set to portray the mother of Panchayat actor Jitendra Kumar in a film centered around India’s pigeon-flying culture.
This project marks a reunion for Jitendra, who will play a dedicated pigeon-keeper, and co-producer Hitesh Kewalya, known for previous collaborations on Shubh Mangal Zyada Saavdhan.
The narrative will explore the traditional practice of training homing pigeons to fly from rooftops, a custom still cherished in various Indian neighborhoods and among pigeon-racing communities worldwide. Principal photography is slated to commence next year.
The unnamed film is produced by Khyati Madaan under her Not Out Entertainment banner, with Kewalya serving as co-producer. Kewalya is recognized for his work on Shubh Mangal Saavdhan and Shubh Mangal Zyada Saavdhan.