Raveena Tandon reveals she and Karisma shot 6 sets a day in the 90s

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Raveena Tandon reveals she and Karisma shot 6 sets a day in the 90s

Synopsis

Raveena Tandon's revelation on India's Best Dancer Season 5 is a rare window into 1990s Bollywood's hidden grind — six sets, one day, no certainty of which character you were even playing. With Karisma Kapoor adding the Film City detail, the exchange is a candid corrective to the era's glamour myth.

Key Takeaways

Raveena Tandon appeared as special guest on the semi-finale of India's Best Dancer Season 5 on Sony Entertainment Television .
She revealed that she and Karisma Kapoor routinely shot across six different production sets in a single day during the 1990s.
The schedule involved stints as short as one and a half hours per set, with both actresses sometimes losing track of their characters.
Karisma Kapoor disclosed that much of this relay shooting happened within Film City, Mumbai , starting as early as 7 am .
The semi-finale episode aired on 19 and 20 September 2025 .

Actress Raveena Tandon has lifted the curtain on the punishing work culture that top Bollywood actresses navigated in the 1990s, revealing that she and actress Karisma Kapoor routinely shot across six different production sets in a single day — sometimes losing track of which character they were playing. The candid exchange took place on the semi-finale episode of Sony Entertainment Television's India's Best Dancer Season 5, where Raveena appeared as a special guest alongside judge Karisma.

The 36-Hours-in-24 Grind

Reflecting on the era's relentless pace, Raveena Tandon recalled that only two actresses consistently operated on that superhuman schedule. “90s mein I think do hi heroines thi jo literally 24 ghante mein 36 ghante kaam karte the. Ek Lolo ji hain aur ek main hoon,” she said, translating to: ‘In the 90s, I think there were only two actresses who literally worked 36 hours in a 24-hour day. One was Lolo ji and the other was me.’

She described a day that moved in fragments: two hours at one location, one and a half hours at another, three hours at a third, and four hours at a fourth. “Hume pata bhi nahi ki hum kaunse character mein hain,” she admitted — ‘At times, we didn’t even know which character we were playing.’ Beyond a threshold, she said, they would simply do whatever they were directed on set, regardless of the role.

Karisma Kapoor's Film City Secret

Karisma Kapoor, seated as a judge on the show, added her own behind-the-scenes detail. She revealed that much of this frantic multi-set routine played out within Film City, Mumbai, where both actresses would begin shooting as early as 7 am. “We would constantly cross paths with each other, rushing from one set to another, changing our clothes and then heading straight to the next set,” she said, recounting the day-long relay that defined their schedules.

Notably, the two actresses would physically pass each other mid-commute — one arriving at a set as the other was leaving — a detail that underlines just how compressed the timelines were.

What the Anecdote Reveals About 1990s Bollywood

The conversation offers rare first-person testimony about a production era when lead actresses were expected to move between multiple simultaneous projects with minimal turnaround. There were no structured call-sheet systems of the kind that govern contemporary productions. As Raveena pointedly noted, the concept of a ‘rich spoiled brat’ star simply did not exist — the same demanding role was replicated across all six sets.

This comes amid broader conversations in the Hindi film industry about working conditions, actor welfare, and the professionalisation of production schedules — debates that have grown louder in recent years as streaming platforms have brought structured contracts into sharper focus.

About the Episode

India's Best Dancer Season 5 aired its semi-finale across 19 and 20 September 2025 on Sony Entertainment Television. The episode was framed around nostalgia, with Raveena's appearance prompting an extended on-air reunion between the two actresses and a candid look back at the decade that shaped their careers.

With both Raveena and Karisma remaining active in Indian entertainment — and the 1990s nostalgia cycle at peak momentum — conversations like these are likely to draw sustained audience interest well beyond the broadcast window.

Point of View

Anecdotes like this one deserve to be read as data points, not just charming throwbacks.
NationPress
23 Sept 2026

Frequently Asked Questions

What did Raveena Tandon say about her work schedule in the 1990s?
Raveena Tandon said she and Karisma Kapoor would shoot across six different production sets in a single day during the 1990s, sometimes for the equivalent of 36 hours in a 24-hour period. She added that at times they forgot which character they were playing due to the relentless pace.
Where did Raveena Tandon make these revelations?
She made the revelations on the semi-finale episode of India's Best Dancer Season 5 on Sony Entertainment Television, where she appeared as a special guest alongside judge Karisma Kapoor. The episode aired on 19 and 20 September 2025.
What secret did Karisma Kapoor share about their 90s shooting routine?
Karisma Kapoor revealed that much of their multi-set relay shooting took place within Film City, Mumbai, beginning as early as 7 am. The two actresses would cross paths between sets, changing outfits and rushing from one production to the next throughout the day.
Who is Karisma Kapoor's nickname 'Lolo ji' referring to?
'Lolo ji' is the affectionate nickname for actress Karisma Kapoor, used by Raveena Tandon during her account. Raveena identified Karisma and herself as the only two actresses she knew of who maintained that extreme six-sets-a-day schedule.
What does this reveal about Bollywood's working conditions in the 1990s?
The accounts suggest that lead actresses in 1990s Bollywood operated without structured call-sheet systems, juggling multiple simultaneous projects with minimal turnaround between sets. There was little concept of limiting an actress's workload, a contrast to the more structured production contracts increasingly common today.
Nation Press
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