Saira Bano opens up on first meeting Hema Malini on 'Deewana' set in 1966
Synopsis
Key Takeaways
Yesteryear actress Saira Bano has recalled the profound impact of her first encounter with Hema Malini during the filming of Deewana in 1966, sharing reflections on a recent visit by the Dream Girl to her residence in Mumbai. In an Instagram post, Bano described being "absolutely mesmerised" by Malini's beauty and grace, tracing a friendship that has spanned decades.
A reunion that sparked memories
Saira Bano recounted the emotion of welcoming Hema Malini back to her home, noting that the actress arrived accompanied by her cousin Prabha. "When she entered, she looked just as graceful, and in that instant, I was taken back to the very first time I met her in 1966, on the sets of Deewana with Raj Kapoor. Even then, I remember, I was quite simply mesmerised by her beauty — there is no other word that feels as true," Bano wrote.
Shared moments at Krishna Raj Sagar Dam
Beyond their initial meeting on set, Bano reflected on subsequent encounters, particularly during stays at Krishna Raj Sagar Dam, where the two actresses' rooms were adjacent. She described long afternoons spent in the verandah, engaging in unhurried conversations that ranged from beauty routines to deeper personal reflections. "Our mothers were with us too, and would often join, adding something wiser, something steadier, to our easy, unguarded conversations," she noted.
Remembering Dharmendra and Dilip Kumar
Bano's reflections also turned to the late legend Dharmendra, whom she admired for his warmth and his profound respect for Dilip Kumar. She highlighted the sincerity with which Dharmendra held his affections, describing how his regard for Dilip Kumar was communicated through his manner of speaking rather than explicit declarations. "The love and regard he had for Dilip sahib was never something he needed to declare; it was understood, in the way he spoke of him, with a respect that came from somewhere very deep," Bano wrote.
A bond across generations
The post underscores the enduring nature of friendships forged in cinema's golden age, where shared professional experiences and proximity during film shoots created lasting personal bonds. Bano's candid account offers a glimpse into the camaraderie that characterised the Hindi film industry during the 1960s.