Suhail Nayyar on life balance: 'Happiness is important, reinvent yourself'
Synopsis
Key Takeaways
Actor Suhail Nayyar is currently basking in the warm reception to his performance in the recently released film 'Udta Teer', but off-screen, the actor operates by a grounded, pragmatic philosophy — one that rejects both the 'walking wounded' artist archetype and the trap of workaholism.
On Balance and Happiness
Speaking during the promotions of 'Udta Teer' in the Andheri West area of Mumbai, Nayyar pushed back against the romanticised idea that great art demands personal suffering. When asked about the notion that artists must soldier through pain no matter what is happening in their personal lives, he offered a direct counter: 'Let's look at it like this. You give importance to other things in life. Happiness is important.'
He extended the thought with a fitness analogy that underlines his all-or-nothing approach to balance. 'People say that in bodybuilding, it's 80% diet 20% workout. No, I feel it's 100% diet and 100% workout. You have to balance everything. To each their own. You understand what's working for you. Till when it won't work, you can't really put a finger on it. The only best way is to reinvent yourself,' he said.
Detachment from Results
Nayyar has previously spoken about his sense of detachment from the outcomes of his work, and he elaborated on where that outlook comes from. For the actor, it is less a spiritual posture and more a practical reckoning with the realities of screen performance.
'You get to know while doing it because in screen acting, you don't have a lot in your hands. What take will be selected by the editor, if your best acting is not selected, if it is cut, you never know, and you are not in control of that. You can't be attached to the result. You can be attached to the character. But attachment to the result is not a healthy thing,' he explained.
Staying the Course
Nayyar is clear that detachment does not mean indifference. He describes it as an emotional steadiness that keeps him functional regardless of outcomes. 'It's not like I don't care. Whatever it is, you learn, I think it's the right way. You don't go crazy in happiness, you don't go crazy when things don't go your way. You keep going,' he added.
This equanimity appears to inform his broader creative identity — he looks at his work objectively, fully aware that beyond his performance, much of what reaches the audience is shaped by editors, directors, and the final cut. With 'Udta Teer' drawing positive notices, it is a philosophy that seems to be serving him well. How he channels that balance into upcoming projects will be worth watching.