Hansal Mehta backs Punjabi film 'Birds in the Dark' for Busan Film Festival
Synopsis
Key Takeaways
Filmmaker and producer Hansal Mehta has opened up about his involvement with 'Birds in the Dark' (Hanere De Panchhi), a Punjabi-language independent film directed by cinematographer-turned-filmmaker Shashank Walia, which is set to make its world premiere at the prestigious Busan International Film Festival. The film marks a significant milestone for independent Indian regional cinema on the global festival circuit.
How Mehta Discovered the Film
Mehta recalled that producers Mauli Singh and Ankur Pathak first brought the project to his attention last year. It was only after watching the opening 40 minutes of the film on director Walia's laptop during a visit to Chandigarh that Mehta realised the project's exceptional potential. 'I was blown away. And proud,' he wrote while sharing photographs on Instagram.
What the Film Is About
'Birds in the Dark' is a black-and-white drama-romance that leans heavily on visual storytelling and silence. According to Mehta, the film explores themes of justice, longing, resistance, and gender, while also offering what he described as 'a gentle meditation on love that gives you more with every viewing.' The original Punjabi title is Hanere De Panchi.
The film is produced by Reema Kaur and Hansal Mehta under the banner True Story Films. Kaur has also served as the film's editor. Mehta credited the 'entire team of actors and crew' for making it 'a living, breathing work of art.'
Mehta's Vision at True Story Films
Mehta positioned the Busan premiere within a broader curatorial vision at True Story Films, the production house he co-runs. 'At True Story Films we back voices we believe are going to matter in the years to come — Lijo Jose Pellissery, Jai Mehta, and now Shashank, one of the most individualistic filmmakers of our time,' he said. The statement underscores the banner's track record of championing distinctive, auteur-driven Indian cinema.
Significance of the Busan Premiere
The Busan International Film Festival, held annually in South Korea, is one of Asia's most prominent platforms for new and independent cinema. A premiere there typically signals strong critical attention and can open doors to wider international distribution. For a Punjabi-language independent film, the selection represents a notable breakthrough beyond the mainstream Bollywood and OTT ecosystem. Shashank Walia's transition from cinematographer to director will be closely watched following this debut on the international stage.