Kalki 2898 AD is just the beginning, says director Nag Ashwin on mythology's sci-fi scope
Synopsis
Key Takeaways
Filmmaker Nag Ashwin says Indian mythology is a largely untapped reservoir for futuristic science fiction — and that Kalki 2898 AD has done far more than entertain audiences: it has convinced producers and actors that big-budget mythological sci-fi can actually work.
The Director's Vision
'Yes, I think Kalki 2898 AD is only the beginning. There is a lot of potential within our mythology and the worlds and ideas that come from it,' Nag Ashwin said in a recent interview. The director argued that Hindu scriptures contain rich concepts around time, immortality, destruction, rebirth, and advanced civilisations — ideas that translate naturally into speculative, future-set storytelling.
Commercial Success as Creative Confidence
Beyond critical recognition, Nag Ashwin pointed to the film's box-office performance as a turning point for the industry. 'The film has also given financial confidence that something like this can be pulled off successfully. And I think that is the first step towards actors and producers feeling confident enough to greenlight projects that explore these ideas and genres further,' he said.
That commercial validation arrived alongside institutional recognition: Kalki 2898 AD won Best Popular Film Providing Wholesome Entertainment and Best Special Effects at the 72nd National Film Awards, underlining that the film succeeded on multiple fronts simultaneously.
About Kalki 2898 AD
Released in 2024, the Telugu-language epic is drawn from Hindu scriptures and is designed as the first instalment in a planned Kalki Cinematic Universe. Set in the dystopian city of Kashi in the year 2898 AD, the narrative follows a group tasked with protecting lab subject SUM-80's unborn child — believed to be Kalki, the final avatar of Vishnu. The ensemble cast features Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, Shobana, and Disha Patani.
Nag Ashwin's Journey
Nag Ashwin began his career as an assistant director under filmmaker Sekhar Kammula before making his directorial debut in 2015 with the coming-of-age drama Yevade Subramanyam. He earned widespread critical acclaim with Mahanati (2018), a biopic of legendary actress Savitri. Kalki 2898 AD represents his most ambitious undertaking yet — and, by his own account, only the first chapter of a much larger mythological universe he hopes to see unfold on screen.
What Comes Next
With a sequel to Kalki 2898 AD already part of the planned cinematic universe, the Indian film industry will be watching closely to see whether the franchise's momentum translates into a broader wave of mythology-rooted science fiction. If Nag Ashwin's confidence proves well-founded, the genre could emerge as a distinctive and commercially viable pillar of Indian cinema in the years ahead.