Vikram Bhatt on music: 'You can't intellectualize it, you either feel it or you don't'
Synopsis
Key Takeaways
Filmmaker Vikram Bhatt, currently riding high on the positive reception to his latest release 'Haunted 3D', has opened up about his instinct-driven approach to selecting music for his films — and why he believes gut feeling always trumps calculation.
The Philosophy Behind the Music
Bhatt, long regarded as one of Hindi cinema's most reliable hit-music directors, says the secret is deceptively simple: stop thinking and start feeling. Speaking during the promotional run of 'Haunted 3D' in Mumbai, he argued that music, like attraction, cannot be manufactured through logic.
'I only feel one thing — that you can't intellectualize music. It's like getting turned on. Why does a certain person turn you on and a certain person doesn't? You can't fake it. You can't convince yourself to be turned on. You either are or you are not,' he said.
Instinct Over Audience Calculation
Bhatt pushed the argument further, cautioning against the trap of second-guessing audience taste. He said that when a composer or director stops trusting their own emotional response and starts predicting what 'the public wants', the result is almost always a miss.
'If you don't intellectualize music and you hear a song for the first time and allow it to make you feel something, then at least you'll be making a song that one person likes — and that is you. But if you end up making a song that you might not like but you think people would like, I think the chances of failing are more in that respect,' he added.
About Haunted 3D
'Haunted 3D' features Mimoh Chakraborty, Chetna Pande, Shruti Prakash, Gaurav Bajpai, Praneet Bhatt, and Hemant Pandey. The film promises an upgraded 3D experience using the latest technology to heighten its horror elements, making scares more immersive than conventional theatrical presentations. The film is currently running in cinemas.
Why It Resonates
Bhatt's remarks arrive at a moment when the Indian film industry is increasingly data-driven, with streaming analytics and social media metrics influencing creative decisions at every stage. His insistence on emotional authenticity as the primary filter for music selection stands as a counterpoint to that trend — and, given his track record of chartbusters, not an unconvincing one.