Akhil Sachdeva on 'Piya Ghar Aaya': Why bass defines Awarapan 2's anthem
Synopsis
Key Takeaways
Music composer Akhil Sachdeva has revealed that he deliberately leaned into his bass register while crafting 'Piya Ghar Aaya – Homecoming', the lead song from Emraan Hashmi's 'Awarapan 2', saying the low-end texture was essential to conveying the heroism at the heart of the track. Sachdeva spoke to reporters in the BKC area of Mumbai following the film's release.
The Creative Instinct Behind the Song
Sachdeva described his compositional process as deeply instinctive. 'Whatever comes from my heart naturally — that's the song that I write. I never take anyone else's opinion on that unless a producer or a director tells me to change that. But I am glad that it could touch people,' he said. The song blends Hindi and Punjabi lyrics, a combination Sachdeva says reflects his natural musical voice.
Composing as a Fan, Not Just a Musician
Rather than approaching the track purely as a professional assignment, Sachdeva said he channelled his own memories as an Emraan Hashmi fan. 'I thought of myself as a fan while composing the song. I had to go 15 years back in time when I was not a musician and I used to see Emraan Hashmi's films. So whatever he has done to those millions of fans, I wanted to write that emotion,' he explained. That nostalgic lens, he added, is what shaped both the lyrical sentiment and the vocal delivery.
Why He Chose the Bass
Sachdeva was particularly deliberate about the song's sonic palette. 'I kept the scale of the song in such a way that I wanted to use my lows, the bass. It's a blessing of God that my bass is good. I wanted to sing it in a different way,' he said. He described the essence of the composition as 'very intimate' and 'hauntingly' gripping — qualities he felt could only be realised through restraint and depth rather than high-octane production. Notably, the makers accepted the track without altering a single word, which Sachdeva cited as a mark of creative trust.
Punjabi Roots and Personal Style
'My Punjabi comes naturally. And it suits my style, and that's how I presented the song,' Sachdeva noted. The bilingual structure of the song — part Hindi, part Punjabi — is consistent with his broader body of work, where regional texture often anchors emotional resonance. For 'Awarapan 2', that texture was calibrated specifically around the persona of its lead star.
What This Means for Awarapan 2's Music
The song's reception suggests that the gut-feel approach paid off, with the composer noting listener response as validation of his instinct-driven method. As 'Awarapan 2' continues its theatrical run, 'Piya Ghar Aaya – Homecoming' stands as an early marker of how the film's music is positioning itself — intimate, bass-driven, and rooted in star-led nostalgia.