Sridevi's 'Lamhe' bandhani outfit was hand-painted by designer Neeta Lulla

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Sridevi's 'Lamhe' bandhani outfit was hand-painted by designer Neeta Lulla

Synopsis

National Award-winning designer Neeta Lulla couldn't find white-on-maroon or yellow-on-blue bandhani anywhere in the market for Sridevi's 'Lamhe' look — so she went home and painted the patterns herself. When Sridevi felt the stiffness at the fitting and asked why, Lulla's confession made the late star laugh. It's a small story, but it captures the invisible labour behind Bollywood's most iconic frames.

Key Takeaways

Costume designer Neeta Lulla hand-painted bandhani patterns on fabric for Sridevi's outfits in 'Lamhe' (1991) after failing to source the exact design.
Sridevi had requested white bandhani on maroon and yellow bandhani on blue — combinations unavailable in the market.
The outfits were worn in two scenes: a shopping sequence and a palace narration scene .
Sridevi noticed the fabric felt 'slightly stiff' at the fitting; Lulla's admission that she had painted it made the actress laugh. 'Lamhe' , directed by Yash Chopra , featured Sridevi in a dual role alongside Anil Kapoor , Waheeda Rehman , and Anupam Kher .

National Award-winning costume designer Neeta Lulla has revealed that one of Sridevi's most memorable looks from the 1991 Yash Chopra directorial 'Lamhe' required her to hand-paint the fabric herself — because the specific bandhani design the late actress envisioned simply did not exist in the market.

The Unusual Request

In a video shared on social media, Lulla recalled that Sridevi wanted a bandhani skirt with a crop top for two scenes in the film — one set in a shopping sequence, and another in which her character narrates her story in front of a palace. The colour combinations requested were straightforward at first glance: a blue bandhani and a maroon bandhani.

'The colors required were a blue bandhani and a maroon bandhani. How difficult is it to get a blue or a maroon bandhani? Not difficult, right? But here was the catch,' Lulla recalled. 'Sridevi said, "Can I get a white bandhani on maroon and a yellow bandhani on blue?" That was absolutely difficult to find.'

How Lulla Solved the Problem

Unable to source the precise design, Lulla took matters — and fabric paints — into her own hands. She had the master tailor stitch the outfits, then brought the garments home and hand-painted the bandhani patterns herself: white dots on maroon and yellow dots on blue.

The solution, however, came with an unexpected side effect. At the fitting, Sridevi noticed something was off. 'She said, "It feels slightly stiff. What is it?" Because bandhani doesn't usually feel stiff,' Lulla recounted. When Lulla admitted she had painted the pattern on, Sridevi reportedly burst out laughing.

The Philosophy Behind the Craft

'We don't give up. We just do whatever it takes — whether it's painting, stitching, embroidering, or anything else. But that is the beauty and the fun of creating film costumes,' Lulla said, summing up the ethos that has defined her decades-long career in Indian cinema.

In an accompanying caption, Lulla wrote: 'The best creative decisions are often made when difficulty arises. No hesitation. No compromise. Just instinct, and the determination to bring a vision to life, exactly when it was needed on the film sets of Lamhe for Sridevi.'

About 'Lamhe' and Its Legacy

'Lamhe' featured Sridevi in a rare dual role — playing both mother and daughter — alongside Anil Kapoor. The film's supporting cast included Waheeda Rehman, Anupam Kher, Deepak Malhotra, and Dippy Sagoo. Though it performed modestly at the domestic box office on release, the film has since earned cult status for its bold narrative and its iconic costumes, many of which were crafted by Lulla. The anecdote is a reminder that the visual language of Indian cinema's golden era was often built on quiet, painstaking acts of ingenuity happening well off camera.

Point of View

But it points to something larger: the invisible craft economy that underpins Indian cinema's visual identity has almost never been documented in real time. Lulla's willingness to share it now — decades later, via social media — reflects a broader shift in how the industry is beginning to value and archive its own making-of history. Sridevi's exacting creative standards are well-documented, but stories like this add texture to the record: the late star was not just a performer adapting to costumes, she was an active collaborator shaping them. That dynamic rarely gets its due in mainstream film retrospectives.
NationPress
28 Jul 2026

Frequently Asked Questions

Why did Neeta Lulla hand-paint Sridevi's bandhani outfit for 'Lamhe'?
Lulla could not find the specific colour combinations Sridevi requested — white bandhani on maroon and yellow bandhani on blue — anywhere in the market. Rather than compromise, she painted the patterns herself using fabric paints at home.
Which scenes in 'Lamhe' featured the hand-painted bandhani outfits?
The outfits appeared in two scenes: a shopping sequence and a scene where Sridevi's character narrates her story in front of a palace. Both required the distinctive bandhani skirt and crop top combination.
How did Sridevi react when she found out the fabric was painted?
At the costume fitting, Sridevi noticed the fabric felt slightly stiffer than usual bandhani. When Lulla explained she had painted the pattern on, Sridevi reportedly laughed at the creative workaround.
What was Sridevi's role in 'Lamhe'?
Sridevi played a dual role in 'Lamhe' (1991), portraying both a mother and her daughter. The Yash Chopra film also starred Anil Kapoor, Waheeda Rehman, and Anupam Kher.
Nation Press
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