Ayushmann Khurrana on social media backlash: Even Dhurandhar faced initial criticism
Synopsis
Key Takeaways
Actor Ayushmann Khurrana has offered a candid perspective on how social media amplifies audience scrutiny of films, drawing parallels to the initial reception of Ranveer Singh and Aditya Dhar's 'Dhurandhar'.
In an exclusive conversation, Khurrana explained that while early-career actors often enjoy a honeymoon period of unconditional support, established performers inevitably face heightened criticism as their profiles rise. He noted that audiences naturally gravitate toward supporting underdogs, a dynamic that shifts once an actor reaches the top tier of stardom.
The evolution of public discourse
The 'Pati Patni Aur Woh Do' actor highlighted a fundamental shift in how criticism circulates. "There used to be a lot of criticism in the past. But now, we get to hear it in a tea stall, in a corner, at a barber's shop," he explained, underscoring how social media has democratized public opinion and made private conversations public.
Dhurandhar as a case study
Khurrana cited 'Dhurandhar' as a prime example of initial negativity giving way to critical and commercial success. "There was so much negativity around the trailer. I loved it personally, but I didn't understand why there was so much negativity," he said. "And look at what the film has done. It's such a brilliant film." He lauded the drama as a "benchmark" and "unparalleled" achievement in contemporary cinema.
Quality storytelling transcends noise
The actor argued that strong filmmaking and compelling narratives ultimately prevail, regardless of social media sentiment. He drew a line between smaller productions like '12th Fail' and larger-scale projects like 'Dhurandhar', suggesting that quality is the common denominator. "Good filmmaking and a good story will definitely work," Khurrana asserted.
The paradox of unanimous approval
Notably, Khurrana observed that no recent film trailer has achieved truly universal acclaim before release. This reality reflects the fragmented nature of modern audiences and the inevitability of mixed reactions in the social media age. The implication is that negative early commentary should not be mistaken for a film's ultimate fate.