Lizzo on childhood insecurity, flute struggles, and immunity to hate
Synopsis
Key Takeaways
Singer-songwriter Lizzo — born Melissa Viviane Jefferson — has opened up about the insecurities that defined her childhood, including two years of being, by her own admission, painfully bad at the flute. In a candid conversation with the Los Angeles Times, the Grammy-winning artist reflected on how those early struggles shaped her resilience as a performer and public figure.
The Flute, the Family, and the Anxiety
'I grew up feeling very annoyed. It was a huge insecurity of mine. I'm the baby in the family, and I played probably the most annoying instrument to be bad at. Hearing someone be bad at the flute is a nightmare. And I was bad for at least two years,' Lizzo told the Los Angeles Times.
She went on to describe how that early anxiety never fully left her. 'I've had that anxiety shadow me my whole life, and I think I'm healing something in myself, in my inner child, that I didn't even realize I'm healing,' she said. For Lizzo, there is something 'powerful' about confronting and ultimately overcoming those long-held insecurities.
Building Immunity to Criticism
According to People magazine, Lizzo also addressed the relentless public scrutiny she has faced throughout her career, saying she has grown effectively immune to it over time. 'I've heard everything I could possibly hear about me, so nothing can bother me now. I've seen myself mashed up with Kamala Harris. I've seen me as a mannequin dummy. I've seen Chili's baby back ribs slathered across my face,' she said.
Rather than letting ridicule diminish her, Lizzo said she reframes it entirely. 'The general public, nine times out of 10, they think they're laughing at me. I'm like, "Honey, I'm laughing with you laughing at me all the way to the bank,"' she added.
Race, Body Image, and Existing 'Outside the Parameters'
Lizzo was candid about the specific dimensions of the criticism she faces as a Black woman in the public eye. 'Black women get it even worse. I think that most of the criticisms and dislike for me are fatphobic and racist and sexist,' she said.
She acknowledged the social expectations she routinely defies. 'I'm a fat Black woman and I'm existing outside the parameters in which society thinks I should exist. I've always been a little too much, that's my personality. But I'm like, "Am I too much or are you not enough?" I'd rather be annoying than invisible,' she said.
The Bigger Picture
Lizzo's reflections come amid a broader cultural conversation around body positivity, self-acceptance, and the outsized scrutiny faced by Black women in entertainment. Her journey — from a self-described two-year flute disaster to a multi-Grammy-winning artist — has become a recurring reference point in those discussions. As she continues to speak openly about her inner child and ongoing healing, her words resonate well beyond celebrity memoir territory.