Olivia Wilde calls 'The Invite' her most incredible filmmaking experience at Locarno

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Olivia Wilde calls 'The Invite' her most incredible filmmaking experience at Locarno

Synopsis

Olivia Wilde took the stage at Locarno's iconic Piazza Grande to premiere 'The Invite' — a deeply collaborative remake of the Spanish film 'Sentimental' — calling it the most incredible experience of her filmmaking life. Her candid remarks about industry pressure to abandon theatrical releases added an unexpected layer of honesty to the festival moment.

Key Takeaways

Olivia Wilde is presenting her directorial 'The Invite' at the Locarno Film Festival , where the film held its European premiere at Piazza Grande .
Wilde called the film the most incredible experience of her life, citing its highly collaborative production process. 'The Invite' is a remake of the Spanish film 'Sentimental' , which has also been adapted in Swiss-German , French , Italian , and South Korean versions.
Wilde named Cassavetes , Mike Nichols , Billy Wilder , Nora Ephron , and Agnes Varda as key inspirations behind the project.
She revealed that financiers often pressure directors to forgo theatrical releases, but her financier supported her choice to go theatrical.

Hollywood actress and director Olivia Wilde is presenting her latest directorial venture, 'The Invite', at the prestigious Locarno Film Festival, where the film's European premiere drew an emotional and overwhelmingly positive response from audiences at Piazza Grande.

Wilde's Reaction to the Audience

Speaking directly to the crowd after the screening, Wilde described the moment as deeply moving. 'I'm in shock. This is overwhelming and exciting. This is the European premiere of The Invite and it's the first time, and probably the only time, it will be seen on a screen this big. I can't tell you how much this means. I'm so grateful that you came tonight,' she said.

Wilde noted that audience feedback from earlier screenings had already underscored the film's emotional resonance. 'I have the benefit of hearing from audiences and hearing how cathartic they have found it to laugh at some of these things and to laugh with strangers,' she added.

The Fight for a Theatrical Release

Wilde also addressed the pressures independent filmmakers face when it comes to distribution, revealing that financial incentives often push directors away from theatrical runs. 'If you don't fight for it, they bribe you to not take theatrical. But we were really lucky that our financier gave me the opportunity to make this decision, which is something I don't take lightly,' she said.

Her remarks reflect a broader tension in the film industry between streaming-first economics and the traditional theatrical experience — a debate that has intensified since the pandemic reshaped distribution models.

A Love Letter to Independent Cinema

Wilde described 'The Invite' as a tribute to the filmmakers who shaped her artistic sensibility. She named John Cassavetes, Mike Nichols, Paul Mazursky, Woody Allen, Billy Wilder, Nora Ephron, and Agnes Varda as key influences, saying the film is 'a love letter to so many of the filmmakers that made us want to do this.' She added that these directors 'introduced us to the idea of independent cinema allowing for real vulnerability.'

A Collaborative Remake with International Roots

The director called 'The Invite' 'the most incredible experience of my life' because of its deeply collaborative nature. The film was workshopped with its cast and screenwriters, and is a remake of the acclaimed Spanish film 'Sentimental', which has also been adapted in Swiss-German, French, Italian, and South Korean versions.

'It's an international story, and what you will watch tonight is our offering and our interpretation,' Wilde told the Locarno audience. The multilingual lineage of the source material gives the project a rare cross-cultural pedigree, positioning it as more than a conventional Hollywood remake.

What's Next for the Film

With the European premiere now behind her, Wilde and her team will be watching closely how critical and audience momentum from Locarno translates into wider distribution prospects. The film's theatrical ambitions, backed by a supportive financier, signal a deliberate bet on the big-screen experience at a time when that choice remains far from guaranteed.

Point of View

Rather than a streaming-first product, is itself a statement. Whether that bet pays off commercially will matter as much as the critical warmth it received at Piazza Grande. The film's multilingual source lineage also raises an interesting question: in an era of remakes, cross-cultural adaptations with genuine artistic intent are still the exception, not the rule.
NationPress
10 Aug 2026

Frequently Asked Questions

What is 'The Invite' by Olivia Wilde?
'The Invite' is a directorial film by Olivia Wilde, currently premiering at the Locarno Film Festival. It is a remake of the acclaimed Spanish film 'Sentimental', which has previously been adapted in Swiss-German, French, Italian, and South Korean versions.
Where did 'The Invite' have its European premiere?
The European premiere of 'The Invite' took place at Piazza Grande during the Locarno Film Festival. Wilde described the screening on that particular screen as a likely once-in-a-lifetime event for the film.
Why does Olivia Wilde call 'The Invite' her most incredible experience?
Wilde attributed the distinction to the film's deeply collaborative process, which involved workshopping with the cast and screenwriters. She said it was the most collaborative project she has undertaken.
Who are the filmmakers that inspired 'The Invite'?
Wilde described the film as a love letter to directors including John Cassavetes, Mike Nichols, Paul Mazursky, Woody Allen, Billy Wilder, Nora Ephron, and Agnes Varda, crediting them with introducing her to independent cinema's capacity for vulnerability.
Why did Olivia Wilde fight for a theatrical release for 'The Invite'?
Wilde revealed that financiers often offer incentives to directors to forgo theatrical distribution in favour of streaming. She said her financier supported her decision to go theatrical, a choice she described as one she does not take lightly.
Nation Press
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