Stanley Tucci on 'Master Plan': Have one, but don't cling to it
Synopsis
Key Takeaways
Actor Stanley Tucci, celebrated for his versatile screen presence, refined personal style, and well-documented passion for food, has a measured philosophy when it comes to life planning: a master plan is worth having — just don't hold on to it too tightly, because life seldom follows the script.
Tucci, whose decorated career has earned him seven Primetime Emmy Awards and two Golden Globe Awards, along with nominations for an Academy Award, a BAFTA Award, and a Tony Award, was speaking during the promotional run for his latest project, the heist thriller Master Plan, now streaming on Prime Video.
On Life Rarely Going to Plan
Asked whether a master plan had shaped his own life the way he envisioned, Tucci was candid: 'Some of it worked out. Some of it didn't.' He added, 'I think having a master plan is a really good idea, but don't get too attached to it.'
The 65-year-old also reflected on what working on Master Plan taught him about secrecy — one of the film's central themes. 'Yeah, I would never have as many secrets. It doesn't work,' he said, suggesting the project reinforced his instinct toward openness.
Approaching the Role: Trust, Deception, and Contradiction
Master Plan centres on a master thief who recruits two strangers for an audacious heist targeting the Mona Lisa at the Louvre, only to reveal mid-scheme that they are his estranged children. Tucci plays the character navigating the contradiction of exerting control over people he loves.
'Oh, it's a mess. It turns into a mess. Just like parenting,' he said, drawing a wry parallel between the character's predicament and real family dynamics. On playing the tension between manipulation and love, Tucci kept his approach straightforward: 'Everything that he says to them, he has to make them believe it. And therefore, the audience has to believe it. That's all.'
On Acting and the Value of Spontaneity
When asked whether he brings a master plan to his characters or leaves room for happy accidents, Tucci came down firmly on the side of both. 'Accidents have to happen. That's sort of the point of acting and filmmaking… things can become spontaneous. So, you have the master plan, which is the script, but that plan gets altered slightly day by day,' he explained.
It is a philosophy that mirrors his career trajectory — one built on landmark roles across four decades, from The Devil Wears Prada and The Hunger Games franchise to prestige dramas such as Spotlight, Conclave, and Julie & Julia.
What Remains on Tucci's Own Plan
Asked what goals remain unchecked on his own list, Tucci was uncharacteristically uncertain — and refreshingly so. 'I don't know. I don't know. I'd like to do some artwork. I'd like to direct a play again. I'm not quite sure,' he said. For a man who has excelled at acting, directing, and culinary storytelling, the openness itself feels intentional — a living demonstration of the very philosophy he just articulated.