CM Nayab Saini pays tribute to Bharat Ratna Ustad Bismillah Khan
Synopsis
Key Takeaways
On the death anniversary of Ustad Bismillah Khan — the shehnai maestro who carried the sound of India to the world's grandest stages — Haryana Chief Minister Nayab Singh Saini offered his respects on Friday, 21 August 2026, calling the legend's contribution to Indian classical music 'unforgettable.'
Saini wrote: 'Suprashiddh shehnai vadak, Bharat Ratna Ustad Bismillah Khan ji ki punyatithi par unhe koti-koti naman aur vinamra shraddhanjali.' ('On the death anniversary of the renowned shehnai maestro, Bharat Ratna Ustad Bismillah Khan, I bow to him a million times and offer my humble tribute.') He added that Khan's melodious notes would forever remind the world of India's rich cultural and musical heritage.
The man who made the shehnai a world instrument
Ustad Bismillah Khan spent decades transforming the shehnai — once heard mainly at temples and weddings — into a concert-hall instrument recognised across continents. His performances at landmark venues abroad placed Hindustani classical music on a global map at a time when few Indian instruments had that reach.
In 2001, the Government of India conferred on him the Bharat Ratna, the country's highest civilian honour, in recognition of a lifetime devoted to music. He remains one of the rare classical musicians to have received that distinction.
A political ritual rooted in cultural continuity
Saini's tribute follows a well-established practice among Indian political leaders of marking the death anniversaries of national cultural icons with public statements. For BJP office-bearers in particular, acknowledging masters of Hindustani music has become a consistent gesture of alignment with India's composite classical heritage.
No specific state event or policy announcement accompanied the post — the tribute stands as a moment of remembrance, not a programme launch. Yet these annual acknowledgements keep the memory of artists like Khan visible in the national public conversation, a quiet form of cultural stewardship.
The shehnai still plays at dawn in the lanes of Varanasi, the city Khan called home until his death. Its sound, as Saini's post implies, needs no policy to survive — only remembrance.