CM Hemant Soren Hails SRFTI as Pioneer of Indian Cinema
Synopsis
Key Takeaways
The Chief Minister's Office of Jharkhand on Wednesday, 22 July 2026 shared remarks by Chief Minister Hemant Soren lauding the Satyajit Ray Film and Television Institute (SRFTI) in Kolkata as one of the oldest and most pioneering institutions in the world of cinema.
Context
In his remarks, CM Soren said: 'Satyajit Ray Film Institute ko shayad hi koi na jaanta ho' ('There is hardly anyone who does not know the Satyajit Ray Film Institute'), describing it as 'one of the oldest and leading institutions in the film world, which introduced cinema to the world.' The statement was shared via the official @JharkhandCMO handle, signalling the Chief Minister's acknowledgement of a key national cultural institution.
Policy Backdrop
SRFTI, established in 1995 and named after the Oscar-winning filmmaker Satyajit Ray, is a Kolkata-based national institute offering postgraduate courses in cinema. It is one of India's premier film training bodies, the other being the Film and Television Institute of India (FTII) in Pune, which was set up in 1960 as the country's first dedicated film training institution. Ray himself is best known for the Apu Trilogy and a body of work that brought Indian parallel cinema to global audiences, earning him an Honorary Academy Award in 1992.
State governments across India periodically issue statements recognising such national cultural institutions, often as a signal of alignment with central heritage and arts initiatives. Under Hemant Soren, Jharkhand has combined cultural references of this kind with a broader emphasis on tribal arts and regional storytelling within its education and tourism policies.
Stakeholders and Impact
The primary beneficiaries of SRFTI's work are film students and aspiring filmmakers from across India, including those from eastern and northeastern states for whom the Kolkata campus is geographically accessible. A statement of this nature from a sitting Chief Minister can draw attention to the institute among students in Jharkhand, potentially encouraging applications or state-level support for aspiring cineastes.
Jharkhand, home to a rich tradition of tribal visual storytelling, has a latent creative ecosystem that national film institutions could help channel into formal cinematic training. Any future state-level scholarships or partnerships with SRFTI would directly benefit young filmmakers from the region.
What's Next
Observers will watch for follow-through in the form of concrete policy measures — such as state scholarships to SRFTI, the activation of a Jharkhand State Film Development Corporation, or the announcement of a dedicated Jharkhand film festival — that would translate this cultural acknowledgement into tangible opportunity for the state's youth. The remark may also presage deeper engagement between the Jharkhand government and national cultural bodies under the broader arts and heritage framework.