CM Siddaramaiah attends 'Mukhya Mantri' play's 900th show
Synopsis
Key Takeaways
Nine hundred performances — and still drawing a crowd. Karnataka Chief Minister Siddaramaiah attended the landmark 900th staging of the satirical Kannada play Mukhya Mantri ('Chief Minister') at Ravindra Kalakshetra in Bengaluru on Saturday, 26 September 2026, calling the milestone a celebration far larger than one production's success.
Writing on X in Kannada, Siddaramaiah said the occasion filled him with immense joy. 'Reaching the 900th performance of a play is not just the celebration of one play's success,' he wrote. 'It is the success of Kannada theatre, the hard work of its artists, the refined taste of its audiences — and, above all, a great example that satire can question society and question the system of governance.'
A satirical mirror held up to power — for 900 shows
Mukhya Mantri is a satirical work that uses comedy to scrutinise politics and public administration, a genre with deep roots in Karnataka's performing-arts tradition. Ravindra Kalakshetra, the historic auditorium in the heart of Bengaluru, has long served as the city's foremost venue for Kannada theatre, and hosting a 900-show anniversary there carries considerable cultural weight in the state.
Siddaramaiah expressed his wish that the play 'continue to make people laugh, make them think even as they laugh, and do the work of pushing everyone toward self-reflection and improvement' — a rare instance of a sitting chief minister publicly championing a production whose very title mirrors his own office.
Cross-party turnout at Bengaluru's cultural landmark
The evening drew a notably broad political gathering. Deputy Chief Minister D.K. Shivakumar, Union Minister V. Somanna, and H.M. Revanna — Chairman of Karnataka's State Guarantee Schemes Implementation Committee — were among the dignitaries present. Cross-party attendance at major cultural milestones is a familiar feature of Karnataka's public life, functioning as an informal signal of official recognition for the state's performing arts.
That recognition matters. Kannada theatre has historically used the satirical form to do what formal political speech cannot — hold a lamp to uncomfortable truths about governance and society, and do it with laughter. A play literally titled Chief Minister reaching 900 shows, with the Chief Minister himself in the front row applauding, is either a study in confidence or in irony — and perhaps both.
Nine hundred nights of the same story, and Karnataka still wants an encore.