Jaya Kishori's Divine Concert Mumbai: Bhajans meet live concert energy
Synopsis
Jaya Kishori's 'Divine Concert' in Mumbai wasn't just a bhajan evening — it was a deliberate repackaging of devotional tradition for a generation raised on stadium shows. Backed by Saregama Live, the event drew Salim Merchant, Manoj Muntashir, and Sachet-Parampara, testing whether spiritual music can command the same live-event energy as mainstream pop.
Key Takeaways
Jaya Kishori held her first-ever 'Divine Concert' in Mumbai on 29 June , backed by Saregama Live and Epitome Live .
The concert featured live musicians and aimed to present bhajans with concert-scale production while preserving their spiritual essence.
Notable attendees included Meet Bros , Salim Merchant , Manoj Muntashir , Abhay Verma , Mihir Ahuja , and Sachet-Parampara .
Kishori stated her primary goal was to draw younger audiences toward spirituality through a familiar, energetic live-event format.
Audience members reportedly stayed back well after the concert ended, reflecting on the experience.
Spiritual orator Jaya Kishori staged her first-ever 'Divine Concert' in Mumbai on 29 June, blending devotional bhajans with the scale and energy of a live concert experience, backed by Saregama Live and Epitome Live. The evening featured live musicians and drew a notable cross-section of artists and industry figures, marking a significant step in reimagining traditional devotional music for contemporary audiences.
The Vision Behind Divine Concert
Kishori conceived the event as a deliberate attempt to bridge the gap between India's classical devotional traditions and the sensibilities of younger generations. Rather than altering the spiritual core of bhajans, the format sought to amplify their emotional reach through concert-scale production and live instrumentation.
In her own words, Kishori said, 'I wanted to create a space where families could come together, leave behind the stress of everyday life, and connect through music. One of my biggest hopes was to encourage younger audiences to experience spirituality in a way they could relate to. By presenting bhajans with the scale and energy of a live concert, I wanted to show that our traditions, music, and roots can be just as uplifting, joyful, and inspiring in a modern setting.'
Who Attended the Soulful Evening
The concert drew a prominent gathering from the music and entertainment world. Among those present were Meet Bros, Salim Merchant, lyricist Manoj Muntashir, actors Abhay Verma and Mihir Ahuja, and composer-singer duo Sachet-Parampara, alongside several others. The attendance of such diverse creative voices underscored the broad appeal the format aspired to reach.
What Saregama Said
Siddharth Anand Kumar, Executive Vice President – Films, Series & Events at Saregama, spoke to the broader philosophy driving the initiative. 'Live entertainment is constantly evolving, but at its heart it has always been about bringing people together. We believe experiences rooted in our culture can be presented in ways that feel contemporary without losing their authenticity. 'Divine Concert' is an extension of that belief — a format that celebrates devotional music while creating a shared live experience that resonates across generations,' he said.
The Audience Response
Notably, long after the final bhajan concluded, a significant portion of the audience remained at the venue, absorbed in the atmosphere the evening had created. The lingering crowd suggested that the concert achieved at least part of its stated aim — turning a devotional performance into a shared, reflective community experience.
Whether Divine Concert evolves into a touring format or inspires similar productions remains to be seen, but its Mumbai debut has established a new template for devotional live entertainment in India.
Point of View
Stripped of its austere staging but not its soul, can compete for the same Saturday-night audience as mainstream live acts. Jaya Kishori's draw among younger listeners gives this experiment credibility that a lesser-known orator could not provide. The real question is scalability: one well-attended Mumbai debut is not a movement. If Saregama Live can replicate this across Tier-1 and Tier-2 cities and sustain production quality, it could carve out a genuine new genre in India's booming live entertainment economy. The risk is dilution — over-producing bhajans until they lose the very authenticity the format promises to protect.
NationPress
29 Jun 2026
Frequently Asked Questions
What is Jaya Kishori's Divine Concert?
'Divine Concert' is a live devotional music event conceptualised by spiritual orator Jaya Kishori, presented in Mumbai on 29 June, where traditional bhajans were performed with concert-scale production and live musicians. It was backed by Saregama Live and Epitome Live, and aimed at making devotional music accessible and engaging for younger and family audiences.
Who performed and attended the Divine Concert in Mumbai?
The event was headlined by Jaya Kishori and featured live musicians. Notable attendees included Meet Bros, Salim Merchant, Manoj Muntashir, Abhay Verma, Mihir Ahuja, and Sachet-Parampara, among others from the music and entertainment industry.
Why did Jaya Kishori organise the Divine Concert?
Kishori said she wanted to create a space for families to bond and for younger audiences to connect with spirituality in a relatable way. She aimed to demonstrate that traditional devotional music can be as uplifting and joyful as modern concert experiences when presented at scale.
Which companies backed the Divine Concert?
The event was produced and backed by Saregama Live and Epitome Live. Saregama's Executive Vice President Siddharth Anand Kumar described it as an extension of their belief that culture-rooted experiences can be made contemporary without losing authenticity.
Will the Divine Concert tour other cities?
No official announcement of further dates or a tour has been made following the Mumbai debut. Whether the format expands to other cities or becomes a recurring event has not been confirmed by Jaya Kishori or Saregama Live.
