Synopsis
On World Theatre Day, actress Pallavi Joshi reflects on the affordability of theatre in Maharashtra, highlighting the struggles of talented yet underpaid actors and the importance of preserving the essence of live performances.Key Takeaways
- Theatre is affordable in Maharashtra.
- Many talented actors are underpaid.
- World Theatre Day was established in 1961.
- Pallavi Joshi's growth is credited to her directors.
- Support for all theatre professionals is crucial.
Mumbai, March 27 (NationPress) On the occasion of World Theatre Day this Thursday, actress Pallavi Joshi reflected on her experiences and emphasized that theatre in Maharashtra has thrived due to the affordability of ticket prices.
“The entire equation of theatre is quite unique. Theatre continues to flourish in Maharashtra because it’s accessible financially. When ticket costs are low, the overall earnings are also reduced, which consequently means that the remuneration for actors and the profit margins for producers are simultaneously decreased. It’s a disheartening situation,” Pallavi shared.
She expressed her concern over the numerous exceptionally talented actors in theatre who remain undercompensated.
“Their contribution to any production is irreplaceable. Yet, this rarely reflects in their earnings. While prominent stars manage to earn a good income, the majority still rely on regular jobs to sustain themselves, treating theatre as an avocation.”
World Theatre Day was established in 1961 by the International Theatre Institute, which organizes various theatre-related events worldwide to celebrate this day.
Pallavi attributes her growth to the directors she worked with during her theatre career.
“I have countless memories from my theatre journey. It wouldn’t be an exaggeration to say that I was shaped by some of the finest directors of my time. I was fortunate to collaborate with visionary directors like Arvind Deshpande, Dilip Kolhatkar, and Amol Palekar.
She noted that Dilip Kolhatkar helped her recognize her “strengths as a performer.”
“Arvind Deshpande introduced me to the enchantment of interpretation, while Amol Palekar imparted the most crucial lesson: ‘What not to do’. He also highlighted my weaknesses, allowing me to expand my capabilities. Those experiences were invaluable masterclasses in acting.”
When discussing her favorite productions, she said: “I can’t pinpoint a specific favorite, but I believe I evolved significantly as an actress while portraying Kinni in ‘Mukhavte’, Vijay Tendulkar’s Marathi adaptation of Mohan Rakesh’s renowned Hindi play, Aadhe Adhure.”
She also remarked that the experience of theatre is deeply rewarding in itself.
“I believe it’s best to preserve its essence. Once you start adding external elements like lighting effects and holograms, the focus shifts to those assets. Theatre should center around captivating dialogues, a compelling storyline, and live performances. That’s what should remain at its core.”
“However, undoubtedly more can be done to support theatre professionals, not just the actors but also those behind the scenes, including makeup artists, wardrobe managers, and the dedicated backstage crew.”
