How is Azamgarh’s black pottery being revived through ODOP?
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Azamgarh (Uttar Pradesh), Feb 11 (NationPress) Amid various self-employment initiatives launched by the double-engine government at both the Central and State levels, Nizamabad in Azamgarh district is establishing a unique identity through the One District One Product (ODOP) program, with its renowned black pottery receiving both national and international acclaim.
The traditional craft of black pottery, once facing extinction, has seen a remarkable resurgence in recent years. In 2015, it was awarded the Geographical Indication (GI) tag, marking a pivotal achievement in preserving its cultural significance. According to artisans, the genuine transformation began after the craft was included in the ODOP scheme.
Sanjay Prajapati, Director of Black Pottery Nizamabad, an organization that creates clay idols and various decorative items, stated that the support from both the Central and State governments has been instrumental in revitalizing this age-old craft.
“The youth had turned away from this art, leading to its gradual decline. Following its recognition under ODOP, we found it easier to access bank loans. Today, black pottery is celebrated not only in India but also internationally. This advancement has been made possible due to the efforts of our Hon’ble Chief Minister,” he remarked.
Local entrepreneur and artisan Sohit Kumar Prajapati shared his views, stating that artisans can now secure loans at lower interest rates, supplemented by a 25% subsidy under the scheme. Additionally, they are receiving training and toolkits, which have significantly enhanced both production capacity and quality.
“Previously, many young individuals migrated in search of employment. Now, they are returning to this craft and progressing rapidly. Our exports are consistently on the rise,” he added.
He expressed appreciation to the Prime Minister for advocating local products on global stages. “When Prime Minister Narendra Modi presented black pottery items as gifts to the Prime Minister of Japan, it was a moment of immense pride for us. It felt as if we were soaring. Our handmade creations are now gaining international recognition,” he concluded.
Artisans attribute the initiative to transforming a traditional rural craft into a globally acknowledged product. They regard it as a symbol of “New India and New Uttar Pradesh,” asserting that government support has enabled even small-scale, traditional industries to achieve new heights, propelling black pottery from local markets onto the global stage.