Anand Mahindra revisits Rishikesh memories, hopes city keeps its soul
Synopsis
Key Takeaways
A famous restaurant that once fed a young filmmaker. A sadhu in the hills behind Swargashram. Mahindra Group chairman Anand Mahindra stepped back into his own past on Sunday, 18 October 2026, sharing photographs of Rishikesh and a quietly pointed question about what the riverside pilgrimage town is becoming.
Mahindra recalled that Chotiwala restaurant was 'practically my canteen' during the making of his thesis film, and that he ventured into the hills behind Swargashram to document a sadhu named Bankhandi Baba. The post is a rare personal window into the industrialist's early creative life — long before boardrooms.
New walkways, old questions
Mahindra's homecoming observation was warm but not uncritical. He noted 'new riverfront walkways' and 'spruced-up public spaces', calling the changes 'a welcome facelift for a town where nature has always done most of the decorating.' Then came the sharper line: 'I just hope that, amid all the changes, Rishikesh holds on to its soul.'
That tension — between amenity and authenticity — is one that planners and pilgrims have debated for years along the upper Ganges. The Namami Gange programme, launched in 2014, channelled significant central funding into riverfront beautification and ghat upgrades in the Rishikesh–Haridwar stretch. The ambition: better infrastructure for the millions who arrive each year. The anxiety: whether the very infrastructure that makes a sacred town accessible also erodes what draws people to it.
Spiritual tourism's double-edged boom
Uttarakhand has leaned heavily into religious and wellness tourism, and Rishikesh — the self-styled 'yoga capital of the world' — sits at the centre of that strategy. Better promenades and public spaces raise visitor comfort and footfall. But residents and long-time devotees of these sites repeatedly flag the same concern Mahindra voiced: that curated aesthetics can crowd out the rawer spiritual energy that made a place magnetic in the first place.
Mahindra ended his post with a promise to himself: 'Time to go back and see for myself.' Tagging it #SundayWanderer, he framed the reflection not as a policy critique but as personal curiosity — an industrialist who once carried a film camera through these ghats, now weighing whether the town he remembers still exists underneath the new paving.