Amaal Mallik on creative clashes: 'I am Amaal Mallik without their films'
Synopsis
Key Takeaways
Music composer Amaal Mallik, who scored the track 'Yeh Awarapan' for the newly released Emraan Hashmi film 'Awarapan 2', has opened up about navigating creative disagreements in Bollywood — and why he refuses to stay silent when his artistic vision is challenged.
Amaal Mallik's Stance on Creative Differences
Speaking to reporters during the promotional events for 'Awarapan 2' at the BKC area of Mumbai, Mallik was candid about how he handles friction in professional collaborations. He said he never backs down, but also never frames the disagreement as a binary right-or-wrong situation.
'Yes, there are creative differences. I don't back off. I don't say, 'This is wrong'. It is the ability of the other person to make creative differences. Those who have a big ego remove me from the film. Those who have a good mind, work with me. Both ways are right,' he said.
On Industry Privilege and the 'Insider' Debate
Mallik, who comes from a prominent musical family, also addressed the persistent narrative that industry insiders enjoy an easier path. He pushed back firmly, noting that connections cut both ways.
'People think I get privileges from the industry since I belong to the industry. They think insiders get a phone call easily. They get 3 movies in a night. 2-3 people call us and remove us from the movies as well. But, I want to stand with music,' he said.
The composer acknowledged that his approach — prioritising artistic integrity over commercial convenience — comes at a cost. 'There will be less work. There will be more enemies,' he noted, adding that he considers making good music a non-negotiable priority regardless of the professional consequences.
About Awarapan 2
'Awarapan 2' is a sequel to the 2007 film 'Awarapan', with Emraan Hashmi reprising his role as Shivam Pandit. The original film was considered a box-office disappointment on release but went on to acquire cult status over the years, driven largely by its soundtrack and Hashmi's performance. The sequel is currently running in cinemas.
What This Signals for Bollywood's Creative Culture
Mallik's remarks arrive at a moment when the industry is grappling openly with questions of creative ownership, insider access, and the power dynamics between composers and filmmakers. His willingness to speak plainly — including the admission that directness costs him projects — offers a rare unfiltered view of how music is made, and sometimes unmade, in mainstream Hindi cinema.