CBFC reconstituted: Preity Zinta, Pankaj Tripathi among 18 new members
Synopsis
Key Takeaways
The Ministry of Information and Broadcasting has reconstituted the Central Board of Film Certification (CBFC), naming an 18-member committee that includes prominent film and television personalities. The reconstitution was announced by the CBFC on its official social media channels on Wednesday, 16 September 2026, and takes effect under sub-section (1) of Section 3 of the Cinematograph Act, 1952, read with Rule 3 of the Cinematograph (Certification) Rules, 2024.
Who Is on the Reconstituted Board
The newly constituted 18-member panel draws from across the Hindi film industry, regional cinema, and television. Confirmed members include actors Preity Zinta, Suniel Shetty, Pankaj Tripathi, and Manoj Joshi; television personality Roopali Ganguly; actress and producer Pallavi Joshi; filmmaker Neela Madhab Panda; and Bengali cinema stalwart Prosenjit Chatterjee, among others. The committee has been appointed for a period of three years, or until further orders from the Centre.
Leadership Position Remains Unchanged
Notably, the CBFC has not issued any communication regarding a change in its chairpersonship. Shashi Shekhar Vempati, who replaced Prasoon Joshi as board chief in May 2026, continues in that role. Vempati previously served as chief executive officer of Prasar Bharati between 2017 and 2022 — a position that Prasoon Joshi currently holds.
Context: The Censorship Debate
The reconstitution arrives against the backdrop of a prolonged controversy over CBFC certification practices. The film 'Satluj' — starring Diljit Dosanjh and originally titled 'Punjab 95' — spent nearly three years in limbo after being submitted to the CBFC in 2022. Its makers reportedly alleged that the board demanded 127 cuts. The film was eventually released on OTT in July 2026 under its new title and without cuts — only to be pulled from the platform in India within 48 hours. The episode intensified calls from filmmakers and critics for greater transparency and accountability in the certification process.
What the Reconstitution Signals
The inclusion of industry figures with diverse regional and linguistic backgrounds — from Hindi mainstream to Bengali and Odia cinema — suggests an attempt to bring broader representational credibility to the board. Critics argue, however, that reconstituting the committee without addressing the structural opacity in certification decisions may not resolve the underlying concerns. The CBFC's next steps, particularly on guidelines for OTT certification, are being closely watched by the film industry.