Gulfam Khan on TV's shifting trends: 'Every genre has its own audience'
Synopsis
Key Takeaways
Veteran actress Gulfam Khan, with over two decades in Indian television, has spoken candidly about how the medium has transformed — and why she believes the era of one-size-fits-all content is firmly behind us. In a recent interview, the Mumbai-based actress reflected on the sweeping changes in viewer tastes and the growing appetite for diverse storytelling on Indian TV.
From Rural Narratives to Urban Dramas
Khan recalled a time when producers operated on a narrow assumption about what audiences wanted. Shows rooted in rural India — Balika Vadhu, Agle Janam Mohe Bitiya Hi Kijo, and Pratigya — dominated primetime and were seen as the template for success. That calculus, she noted, gradually shifted.
'Earlier, we believed that audiences preferred only a certain type of content. There were shows like Balika Vadhu, Agle Janam Mohe Bitiya Hi Kijo, and Pratigya, which were rooted in rural India. Later, urban shows like Kumkum Bhagya and Kundali Bhagya also became popular,' Khan said.
The success of urban family dramas such as Kumkum Bhagya and Kundali Bhagya signalled that Indian viewers were not bound by a single narrative preference — a realisation Khan says reshaped how she thinks about the industry.
What Audiences Actually Want
According to Khan, the defining insight of her career has been recognising the plurality of the Indian viewership. 'What I have realized is that audiences do not prefer just one genre — they enjoy all kinds of stories. Every show has its own audience. Some people enjoy urban narratives, some connect with rural stories, while others relate to middle-class families from cities like Delhi, Punjab or Mumbai,' she said.
This fragmentation, she argues, is not a challenge but an opportunity. Creators who chase a single dominant genre risk leaving large segments of viewers underserved.
Universal Stories and Mythological Appeal
Khan also highlighted the enduring pull of mythology and timeless tales. 'Then there are universal stories like Aladdin, mythological shows, and Ramayana, which appeal to people across age groups, irrespective of their religion or background. Therefore, creators should continue making different kinds of shows because every genre has its own audience,' she added.
This observation carries personal weight for Khan, who is best known for playing Nazneen in the fantasy drama Aladdin – Naam Toh Suna Hoga, which aired from 2018 to 2020. The show's cross-demographic appeal mirrored precisely the trend she describes.
A Career That Spans Generations of Television
Khan made her acting debut in 2003 with the television show Lipstick, where she played the character Guddi. Over the following two decades, she witnessed firsthand the medium's evolution — from single-channel dominance to a fragmented, multi-genre landscape shaped by both satellite television and, more recently, streaming competition.
Her role as Nazneen in Diya Aur Baati Hum further cemented her standing as a versatile performer capable of navigating both grounded domestic dramas and fantastical narratives. As Indian television continues to diversify, voices like Khan's — shaped by lived experience across eras — offer a rare longitudinal view of where the medium has been, and where it is headed.