Kajol visits Dakshineswar Kali Temple in Kolkata, seeks blessings
Synopsis
Key Takeaways
Bollywood actress Kajol Devgan paid a visit to the iconic Dakshineswar Kali Temple in Kolkata, offering prayers and seeking blessings in what has become a recurring spiritual tradition for the actress. She arrived amid tight security, dressed in a red co-ord set paired with black sunglasses, and was seen carrying pooja items as she entered the temple premises alongside police officials and her team.
A Recurring Spiritual Tradition
This is not Kajol's first pilgrimage to the revered temple. Last year, she visited Dakshineswar Kali Temple ahead of the release of her film Maa, participating in the temple's aarti ceremony and seeking divine blessings as part of her promotional journey. In 2024, she made a similar visit accompanied by her mother Tanuja and son Yug. The pattern underscores a deep personal devotion to Maa Kali that extends well beyond professional commitments.
Her Bengali Roots and the Temple Connection
Kajol's bond with the Dakshineswar temple is rooted in more than faith alone. Born and raised in Mumbai, she comes from a culturally diverse family — her mother Tanuja carries Marathi heritage, while her father Shomu Mukherjee was of Bengali origin. That Bengali lineage has long drawn her to Kolkata and its spiritual landmarks, making the Dakshineswar Kali Temple a place of personal significance.
About Her Latest Film: Maa
On the professional front, Kajol was most recently seen in the mythological horror film Maa, directed by Vishal Furia. The film stars her in the title role alongside Ronit Roy, Indraneil Sengupta, and Kherin Sharma. A spin-off to the 2024 film Shaitaan, the story follows a mother and daughter who travel to a late husband's ancestral village, only to uncover a demonic curse with dark secrets from the past. Kajol's character confronts and ultimately defeats the supernatural force, navigating difficult choices along the way.
What the Visit Signals
A video of Kajol's temple visit circulated widely on social media, drawing attention to her understated, devotion-first approach to the outing. Notably, the visit comes without an immediate film release on the horizon, suggesting this trip was personal rather than promotional — a distinction that sets it apart from her previous Dakshineswar appearances. Whether another project announcement follows remains to be seen.