Poonam Dhillon reunites with Asha Parekh, Juhi Chawla at birthday gathering
Synopsis
Key Takeaways
Veteran actress Poonam Dhillon recently caught up with celebrated star Asha Parekh and fellow actresses Juhi Chawla and Padmini Kolhapure at what appears to have been a birthday celebration for Asha Parekh. Poonam shared a picture from the warm gathering on her social media account, describing the occasion as a joyful reunion with cherished friends.
What Poonam Said
Sharing the photograph on social media, Poonam Dhillon wrote: 'So lovely to catch up with intelligent good hearted ladies.' The image captures Asha Parekh dressed in a navy-blue saree, flanked by Padmini Kolhapure and Juhi Chawla.
Shared Screen History
Poonam Dhillon and Asha Parekh previously shared screen space in the 1989 film Batwara, directed by J. P. Dutta. The multi-starrer boasted an ensemble cast that included Dharmendra, Vinod Khanna, Dimple Kapadia, Amrita Singh, along with Poonam and Asha. The reunion carries added nostalgia given their long professional association.
The Luminaries in the Room
Asha Parekh, one of the most celebrated actresses of her generation, is remembered for iconic performances in films such as Teesri Manzil, Kati Patang, and Caravan. Poonam Dhillon rose to prominence with films including Noorie, Basera, and Yeh Vaada Raha, while Padmini Kolhapure earned critical acclaim for her roles in Prem Rog and Woh Saat Din. Juhi Chawla, the youngest of the group, became one of the defining actresses of the 1990s through films like Qayamat Se Qayamat Tak, Hum Hain Rahi Pyar Ke, and Ishq.
CINTAA Controversy in the Background
The reunion comes amid an ongoing controversy surrounding the Cine and TV Artistes' Association (CINTAA) that has drawn in both Poonam Dhillon and Padmini Kolhapure. In August 2026, 11 members of the association submitted their resignations, reportedly citing allegations of unilateral decision-making and misuse of positions against the two actresses. Both Poonam and Padmini have rejected the allegations, describing them as offensive. The warm photographs from the gathering contrast sharply with the institutional turbulence playing out in the background.