Rishab Shetty visits Sree Padmanabhaswamy Temple, meets Travancore Royal Family
Synopsis
Key Takeaways
Rishab Shetty, the filmmaker behind the pan-Indian blockbuster franchise Kantara, and his wife Pragathi Shetty visited the world-renowned Sree Padmanabhaswamy Temple in Thiruvananthapuram, Kerala, offering prayers at the ancient shrine following a special invitation from the Travancore Royal Family. The visit, which took place on 18 September 2026, blended cinema, culture, and spirituality in a rare confluence.
Royal Welcome in Thiruvananthapuram
According to sources close to the actor, the couple received a warm welcome at the residence of the Travancore Royal Family. Rishab and Pragathi met Her Highness Padma Shri Dr. Aswathi Thirunal Gowri Lakshmi Bayi Thampuratty, along with her sons, Prince Marthanda Varma and Prince Aditya Varma. The interaction was described by those close to the filmmaker as a particularly memorable exchange between heritage and contemporary Indian storytelling.
Seeking Blessings at the Temple
During their time in the Kerala capital, the couple visited the Sree Padmanabhaswamy Temple — one of India's most revered Vaishnavite shrines — where they sought the blessings of Lord Padmanabhaswamy. The temple, managed by the Travancore Royal Family trust, is among the wealthiest and most historically significant temples in the country.
Significance in Rishab's Creative Journey
The visit carries particular weight given Rishab's body of work. His Kantara franchise became a cultural phenomenon for its unflinching portrayal of faith, folklore, nature, and indigenous Tulu traditions, drawing audiences across linguistic boundaries. Notably, this visit appears to be a natural extension of the filmmaker's long-standing engagement with India's living traditions and spiritual heritage beyond the cinema screen.
What Rishab Shetty Said
Speaking about his experience, Rishab said: 'Kerala has always held a special place in my heart, and this visit to Thiruvananthapuram was particularly meaningful. Meeting members of the Travancore Royal Family and seeking blessings at the Sree Padmanabhaswamy Temple was a deeply memorable experience. As an artiste, I have always felt that our traditions, stories and heritage are an important part of who we are, and it is always special to experience and learn from them beyond the world of cinema.'
The encounter underscores a growing conversation in Indian cinema about the relationship between creative storytelling and the country's deep cultural roots — a theme Rishab has consistently championed. With Kantara: Chapter 1 reportedly in development, his immersion in India's heritage traditions is likely to continue shaping his cinematic vision.