Shruti Deshpande on Nawazuddin Siddiqui: 'He taught me presence of mind'

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Shruti Deshpande on Nawazuddin Siddiqui: 'He taught me presence of mind'

Synopsis

Shruti Deshpande's account of Nawazuddin Siddiqui's microphone failing before a thousand-strong Chicago audience — and how she stepped up to hold the show together — reveals something rarely discussed: even India's most celebrated screen actors face a steep learning curve when they step onto a live stage for the first time.

Key Takeaways

Shruti Deshpande shared the stage with Nawazuddin Siddiqui and his daughter Shora Siddiqui in the play 'Naqaab' .
During a live show in Chicago , Nawazuddin's microphone failed mid-performance before an audience of nearly 1,000 .
Shruti, the more experienced stage performer, improvised to manage the technical crisis while Nawazuddin stepped backstage.
Shruti credits the collaboration with deepening her understanding of presence of mind and balance in live performance.
Shora Siddiqui , raised in Dubai , progressed from learning Hindi to delivering a full stage monologue during the production's run.

Actress Shruti Deshpande has opened up about her experience sharing the stage with celebrated actor Nawazuddin Siddiqui and his daughter Shora Siddiqui in the theatrical production 'Naqaab', calling the collaboration one of her most formative professional encounters. The play brought together screen and stage in a rare convergence, with Nawazuddin making his theatre debut alongside seasoned stage performer Shruti.

The Chicago Microphone Incident

Among the most telling moments Shruti recounted was a live performance in Chicago, where Nawazuddin's microphone abruptly stopped working mid-show. With nearly a thousand people in the audience growing audibly restless, the cast had to adapt instantly.

'There were around a thousand people in the audience when Nawaz sir's microphone stopped working. The audience started shouting that they couldn't hear him. It can be extremely distracting when you are performing live, and the audience is shouting because they cannot hear you,' Shruti recalled. She noted that the team adjusted their own volumes to compensate, and Nawazuddin eventually had to step backstage to resolve the technical issue.

'Since it was his first theatre experience and I had already been doing theatre for several years, I knew that I had to take responsibility at that moment. I improvised to some extent, and we managed the technical glitch and the short break before continuing the performance,' she said.

What Theatre Demands That Screen Does Not

Shruti underscored a fundamental difference between the two mediums: on screen, retakes are always available, but in live theatre, every problem must be resolved in real time. It is precisely this quality — presence of mind and balance — that she credits Nawazuddin with reinforcing in her, even as the more experienced stage performer.

Notably, the dynamic inverted expectations: the screen veteran was the theatre newcomer, while Shruti, with years of stage work behind her, guided the show through its crisis.

Shora Siddiqui's On-Stage Transformation

Beyond her work with Nawazuddin, Shruti spoke warmly about watching Shora Siddiqui grow through the production. Raised in Dubai, Shora initially worked to strengthen her command of Hindi before eventually delivering a full monologue on stage.

'We had a very good give-and-take during the process, and I feel I have seen her grow,' Shruti said, adding that Shora had become like a younger sister to her by the time their run together concluded.

A Streak of the Father in the Daughter

Shruti described Nawazuddin as an actor who consistently brings something new to every role, and said she glimpses that same instinct in Shora. 'He brings something new and different to everything he does. Sometimes I see that same streak in Shora. She also has the ability to do something different,' she said, calling Shora a 'unique actor' in her own right.

As 'Naqaab' continues to draw audiences, Shruti's account offers a rare behind-the-curtain look at how two very different acting traditions — screen and stage — collide, adapt, and ultimately enrich each other.

Point of View

Even for actors of Nawazuddin Siddiqui's calibre. Live theatre demands a muscle that camera work does not build. What is striking here is the role reversal: the industry's most acclaimed screen performer leaning on a stage veteran to navigate a crisis. That dynamic deserves more attention than the usual 'Bollywood meets theatre' framing tends to give it.
NationPress
30 Aug 2026

Frequently Asked Questions

What is the play 'Naqaab' featuring Nawazuddin Siddiqui?
'Naqaab' is a theatrical production in which Nawazuddin Siddiqui made his theatre debut alongside his daughter Shora Siddiqui and actress Shruti Deshpande. The play has been performed for live audiences, including a show in Chicago.
What happened during Nawazuddin Siddiqui's Chicago theatre show?
During a live performance in Chicago before nearly a thousand people, Nawazuddin's microphone stopped working mid-show. Shruti Deshpande improvised to manage the situation while Nawazuddin stepped backstage to fix the technical issue, and the performance resumed.
What did Shruti Deshpande learn from working with Nawazuddin Siddiqui?
Shruti said the biggest lesson was presence of mind and balance — the ability to handle unexpected situations in real time without the safety net of retakes that screen acting provides.
Who is Shora Siddiqui and how did she perform in 'Naqaab'?
Shora Siddiqui is Nawazuddin Siddiqui's daughter, who was raised in Dubai. She initially worked on her Hindi during rehearsals and eventually delivered a complete monologue on stage. Shruti described her as a 'unique actor' who shares her father's instinct for doing something different.
How does theatre differ from screen acting according to Shruti Deshpande?
Shruti highlighted that screen actors can rely on retakes, whereas theatre demands that every technical or performance challenge be resolved in real time. This is the core reason she considers live stage work a distinct and more demanding discipline.
Nation Press
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