Kunickaa Sadanand on TV actors' delayed payments: 45-90 day hold-ups
Synopsis
Key Takeaways
Actress Kunickaa Sadanand, a Bigg Boss 19 contestant, has flagged a systemic crisis in television production: payments to actors are routinely delayed by 45 to 90 days, a practice she says has persisted since the industry's boom phase. Speaking exclusively to IANS, Sadanand traced the root cause to the corporate payment chain — advertisers remit fees to channels, which then disburse to producers, creating cascading delays that ultimately stall actor compensation.
The payment chain problem
Sadanand explained that the delay is structural, not accidental. "Channels themselves receive advertising payments late," she told IANS. "This is because it is a corporate system. Bringing change in this structure is a bit difficult. The money first comes from advertisers to the channels, then from channels to producers, so delays naturally occur in the process." The issue, she underscored, has plagued the sector "for many years."
Why negotiating higher fees doesn't work
When asked about practical remedies, Sadanand proposed that actors negotiate fees above their market rate to create a buffer against delays — but immediately identified a fatal flaw in that logic. "If you ask for even Rs 500 more, they will take another artist," she said, highlighting the oversupply of aspiring talent that leaves negotiating power with production houses. For newcomers especially, the trade-off between financial security and employability remains unresolved.
The buffer problem
Sadanand acknowledged that "there should be a buffer system in everyone's life, which is not possible all the time." She noted that larger production houses — citing Balaji Telefilms as an example — maintain sufficient reserves to honour on-time payments. Smaller and mid-tier producers, by contrast, lack the liquidity cushion to absorb the advertiser-to-channel lag.
A pattern in the industry
This is not the first public complaint about television payment delays. Varun Badola and Arjun Bijlani have previously aired similar grievances, suggesting the issue is widespread and not confined to newcomers or smaller productions. The silence from larger actors, however, underscores the power asymmetry: established names can absorb delays; emerging talent cannot.