CM Fadnavis pays tribute to Bankim Chandra on Vande Mataram's 151st year
Synopsis
Key Takeaways
A song born from a poet's pen in 1875 still makes a nation stand — and Maharashtra Chief Minister Devendra Fadnavis marked the 151st anniversary of Vande Mataram on Saturday, 7 November 2026, with a heartfelt tribute to its composer, the legendary Bengali litterateur Bankim Chandra Chattopadhyay.
Posting in both English and Marathi, Fadnavis called Vande Mataram 'the symbol of India's national identity' — भारताच्या राष्ट्रीय अस्मितेचे प्रतीक — and described how the song 'ignited the flame of revolution during India's freedom struggle.' He extended warm greetings to all citizens of the country on the occasion.
The song that became a battle cry
Bankim Chandra Chattopadhyay, one of the foremost Bengali novelists and poets of the 19th century, composed Vande Mataram — meaning 'I bow to thee, Mother' — as a poem that would eventually travel far beyond the printed page. Set against the backdrop of colonial India, the song became a rallying cry for freedom fighters, chanted at protests and marches as British rule tightened its grip across the subcontinent. Its power lay not in polemic but in devotion — an invocation of the motherland so vivid it felt like a summons.
The Constituent Assembly of India formally adopted Vande Mataram as India's national song on 24 January 1950, just days before the Constitution came into force. It stands alongside Jana Gana Mana as one of the two great musical pillars of the republic.
Why BJP leaders return to this anniversary
Fadnavis's tribute fits a consistent pattern among leaders of the Bharatiya Janata Party — marking anniversaries of pre-independence nationalist icons as a way of connecting contemporary governance to a deeper cultural heritage. For a party that traces ideological roots to the idea of civilisational pride, Vande Mataram carries particular resonance. The dual-language format of the post — English for national reach, Marathi for Maharashtra's 125 million Marathi speakers — reflects standard political communication in the state.
One hundred and fifty-one years on, a poem composed in a colonial Bengal still moves a country of 1.4 billion. That, Fadnavis's post quietly argues, is what an immortal song looks like.