CM Fadnavis Pays Tribute to Dadasaheb Phalke in Mumbai
Synopsis
Key Takeaways
At the studio complex that bears his name, Chief Minister Devendra Fadnavis stood before the statue of Dadasaheb Phalke on 6 August 2026 and offered floral tributes to the man who gave India its first feature film. The Chief Minister's Office of Maharashtra confirmed the visit took place at noon at Dadasaheb Phalke Chitranagari, Mumbai, with Minister Adv. Ashish Shelar and other dignitaries in attendance.
The Hindi portion of the post captured the gesture plainly: 'माल्यार्पण कर विनम्र अभिवादन किया' — 'offered a garland and paid humble respects.' The setting itself carried weight: Chitranagari, Mumbai's sprawling film production complex, is named after Phalke and remains one of the most active studio hubs in the country.
Who was Dadasaheb Phalke — and why the tribute endures
Dhundiraj Govind Phalke, known universally as Dadasaheb Phalke, directed Raja Harishchandra in 1913 — India's first full-length silent feature film. That single act of creation seeded an industry that today produces more films annually than any other country. His legacy is institutionalised in India's highest film honour, the Dadasaheb Phalke Award, presented each year at the National Film Awards.
Maharashtra's connection to that legacy is structural, not ceremonial. Mumbai has been the geographic and financial centre of Indian cinema for over a century, and Phalke himself worked out of the city. Chitranagari — the 'city of films' — is a living extension of that inheritance.
Shelar's presence and Maharashtra's film-sector engagement
Ashish Shelar, a senior minister in the Fadnavis cabinet, joined the Chief Minister at the event. State leaders in India regularly mark cultural occasions at memorial sites and statues, and visits to film infrastructure carry a particular signal in Maharashtra, where the entertainment industry is a significant economic and soft-power asset.
Such moments of public tribute keep the state government's relationship with the film community visible — especially as conversations around film policy, studio infrastructure, and production incentives remain live across several Indian states competing for shoot locations and investment.
The father of Indian cinema received his flowers in the city that turned his dream into an industry. What the state does next for that industry is the question his statue quietly poses.